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Frank Hurley

Near enough is not good enough

Hurley

Frank Hurley may have been hired to document historic events, but this limitation would not constrain his desire for interpretation. For Hurley, the photographer, not the camera was the image maker. The camera was his art brush, a mere apparatus.

His haunting images were both spontaneous and constructed. Hurley was accused of manipulating his images to create a reality that was not. His work was both fact and art which blurred his role as documentary maker and story teller.

His major commissions included an Antarctic expedition in 1911 and again in 1914-16 and war photographer for WW1 and WW2. He’s personal adventures took him to Papua New Guinea and as a photo journalist of the Australian landscape. He was also an early film maker for movies.

During the wars, Hurley was assigned as a cameraman to record the dark period in human history, where mutilated bodies littered the landscape. Hurley used black and white, and new colour technology to capture the mayhem.He found that the images didn’t capture the intensity of the drama , therefore he re-created many of the images with composite constructions to emote the event, to a greater height.

No longer documents of the event in reality, he is an expresionist, a borderline surrealist, verging in the realm of romantic horror. The question is, how much enhancement blurs the lines between drama and fiction?

‘To convey the grandeur of the experience, Hurley employed a series of artistic strategies including dramatic re-enactments, the addition of dramatic lighting effects and most contentiously composite photographs, where several negatives were montaged together to convey a more dramatic narrative than that captured in a simple exposure’

Sasha Grishin

Hurley used weather effects to enhance his images, in a way that film employs music to raise the emotional tempo. What his critics labeled as fake within the context of time, may be considered normal practices today. Many Earth images are frequently accused of being composites.

When it came to photographing his own country, his lens was used to idealise the Australian experience, as a place of hope and optimism.

  • Australian Art, A History Sasha Grishin 2013 / Frank Hurley, The man who made history ABC 2004

Wine & Bread

‘And He will become a sanctuary and a stone of offence’

Isaiah 8:14

Wine and bread are synonymous with blood and body, Holy blood and a sinless body. This body was made for a specific purpose, to house holy blood and Gods Holy Spririt.

Each of us has some degree of Holy Spirit otherwise we would be dead, but this body was purpose built, to be God in flesh, just as the ‘fish’ that swallowed Jonah was not a whale, but a purpose built creation to steer a prophet to save a nation from destruction. This body that God built, was born of woman but not conceived by man. The baby was called salvation, Gods Yeshua.

This is Gods dilemma, the child had to grow up obedient to Gods laws, but how? After the flood most nations were building cities to bring honor and glory to themselves. These nations were not seeking God; sex cults, child sacrifice and the worship of sculptures was the norm. There was one option left, rise up a nation of priests.

God chose tribes of slaves to be His nation. God was on the move, there would be no gradual transition, He was about to reveal Himself through the superpower at the time, EGYPT. God is theatrical and dramatic and each scene rose in intensity with plagues, until the final conflict revealed the Angel of Death. Up until then, it was Hebrew against Egyptian however God introduces a subtle change and this is pivotal.

I will observe the blood, and I will shelter you, and there will be no blow of destruction

Exodus 12

The blood on the door post would protect the inhabitants of that house. YHWH did not say to the Angel of Death, ‘you can’t touch the Hebrews’. He said ‘you can’t touch those under the blood’. If the Pharaoh of Egypt had have followed the ritual of lambs blood on the door posts they might have saved those within the palace. If a Hebrew did not comply, death would visit that house.

It wasn’t easy turning a nation of slaves into priests and keeping them focused on the goals set before them. In the desert they built the first temple and the garments and rituals required , they were given the 10 commandments and laws to govern justice in the community. They had to fight giants, the Anakin, children of the Rephaim. Eventually, 10 of the 12 tribes would blend into the world leaving 2 tribes in the territory of Israel; the tribe of Judea and tribe of Benjamin.

God planted His son in the the tribe of Judah that had a royal lineage to King David who bought the threshing floor for the construction of the Temples. Everything was in place including a census that would record His birth and Roman roads to spread the gospel to the whole world.

Yeshua was born in a stable with the passover lambs. The Temple bred passover lambs where Yeshua was born in Bethlehem and for those that needed the Messiahs birth symbolically emphasised, the angels sent some shepards to be witness of His birth.

The gospel drama unfolds and the some priests plot His death. The priests of that generation, the Pharisees and Sadducees had become pawns of Satan through King Herod rule. Herod not only invested large amounts of money into the grandeur of the temple he had the audacity to put his name on it . Just as Saul recognised David was the rightful heir, Herods first initiative was to strike the child Yeshua down before he rose, and like Sauls efforts, he failed. Yeshua recognised that the priests were in league with the government.

“Watch out! Beware of the leaven (yeast) of the Pharisees and the leaven of Herod.”

Mark 8

Yeshuas birth marked the decline of Satans kingdom on Earth and he was determined to stop the original prophesy that God spoke in Eden, from being fulfilled.

‘Lord God said to the serpent “….I will place enmity between you and the woman, and between your seed and her seed and He will strike your head, and you will strike His heel.”

Genesis 3

Although Yeshua died on a cross, that is symbolic of the door, it did not end there. The account of the New Testament is not the only place we find Yeshua, the whole bible is about Him. The book of Jonah gives us some insights, Yeshua directly referenced it.

‘I went down into the earth where its bars are eternal barriers, ..’

Jonah 2

Jonah was put inside of a purpose built living tomb where he descended to Hell. Until three days later when the fish spat him out. Yeshua went into the deepest depths of Satans prison also, and arose from death on the third day.

On the surface of the Earth, we experience Satans ‘open’ prison, until we die and then we are swallowed up into utter darkness where there is weeping and gnashing of teeth. But Hell could not hold Yeshua and He rescued souls from that place.

‘..the veil of the temple was tore in two from top to bottom, and earth did quake and rocks broke and graves opened and bodies arose’

Matthew 27

Yeshua’s role is to save us from going to Hell by covering us with His Holy blood where death can not claim us. He is the light that darkness cannot put out, just as NDEs testify, the light that breaks through deaths darkness and takes us home.

Many people will die and go to Hell, and this makes people angry at God, but seriously….What more can He do?… He risked His own son to be born into Satans prison , to die for us, and all He asks is for us to accept this good news and live free in Eternity, where there is no evil. It’s not hard, but Satan is ready to mock you, if you do, a relatively small cost; even death shouldn’t be a deterrent.

However, there is one final conflict, just as the Hebrew slaves had to fight a spiritual and physical war to inhabit Israel, there would be a final war to destroy this prison place and restore Gods Kingdom on Earth, The new Jerusalem.

The Hebrews were overwhelmed, when it came to fight the children of the fallen angels, a deadly foe. The tribe of Judah would always face trials as Satan would not only try to stop Yeshua’s ministry, he has to stop Israel from being a nation. Israel is the ‘apple of God’s eye’.

Yeshua is coming to claim His birthright, as son of David, with an army of angels backing him. It is written, it will happen; so it won’t make any difference how painful the world will make occupation for the Jews, in the end; all will weep and every knee will bow. The Messiah will reign and it will be very Jewish, because Israel was formed on a heavenly model.

Why? no yeast is permitted during passover, because sin is to be removed from our lives. His blood is enough, He is the door to Heaven.

I am the first and the last, I am He that lives and was dead and behold I am alive forever more.. and I have the keys of Hell and of death.

Revelation 1

U Turn

Complicit surrender before a whimper of a debate, is that where we are?

A wonderful tool that unlocks , is to question, WHY?

Why is this generation willing to gamble the children in a WOKE experiment, an experiment that no past generation were exposed to, including the faction that drives it?

Why is it rushed, (like covid was rushed)?

Why is it ‘main stream’ and driven in state and private schools?

Why are people afraid to debate it?

Most changes grow organically. It starts with a shared ideology and then parents that share a mindset open an alternative school and the experiment unfolds. If it is successful then it is studied and slowly released into the general public. If it fails, then lessons are learnt.

Why is media hammering it, (like covid was)?

Consider my example…

I was born female and my older brother made me his best friend when I was 9 and he was 12. He gave me his albums and dunk me on his handle bars before I got my own bike. We would take his bike, that didn’t have breaks, up to the top of a steep hill, ride down full speed and smash into a pile of sand at a building site. I always had bruises. When my brother got his license at 18 and I was 15, he took me surfing every weekend, with his mate Dave. From an early age I was called a ‘tomboy’ and today I would rather shop at Bunnings, than Myer, I am wired that way, and I was a girl and now a woman.

I was mocked by boys for surfing and many of my ideas were put down as ‘I was a girl’. I had to do more chores than my brother and I embraced feminism at university, but not the Female Eunuch. My brother wore eyeliner at clubs, but he wasn’t a girl.

Could I have been an adventurous girl in THIS generation without being pushed into the boy realm or lingering in purgatory? Is this the new prejudice? If I like ‘boy’ things, I’m a boy and if a boy likes ‘girl’ things, then he is a girl. What’s wrong with fierce girls and gentle boys?

This experiment polarises the sexes into rigidity, not fluidity. I fought hard to be ‘an equal’ woman and the struggle was the dynamic driver of my personality. The friction between the sexes is an important part of our development, just as our compatibility is.

When I grew up; being ‘gay’ was the lifestyle of some of my friends, including one of my best friends and they blended into the social fabric. I used to dance at the Dome on Friday nights and ponder my faith during the week. We weren’t railroaded, most of the time we ran wild.

A daughter or a son, it’s the challenge of life that develops us, that drives the culture forward, not complicated operations and hormone blockers that can’t be reversed when puberty woes pass. If an adult chooses to be transgender, that is their journey and sweet transgender people I have met say, it’s not easy.

The main question to ask is why?

Why are governments and media are rushing changes that have never been tested onto the population? It’s something we all have to ask. Divided, distracted people are easy to manipulate, we have to ask ourselves, while there is still time, what is the agenda?

If the political goal is to create long jail sentences and heavy fines, and social compliance to erode our rights, then woke is a magical distraction.

Should this generation of children be experimented on?

I say no.

Clarice Beckett’s Melbourne

1887 – 1935  Melbourne Artist

“Why were there so many good women artists working in Australia in the 1920’s and 30s, involved more with inventive, rather than imitative art?”

Wet Evening 1927 C Beckett
(Australian Art A History, Sasha Grishin, p219)

It takes a Melbourian to spot another; we feel comfortable with each other, despairing under the heavy grey roof of clouds, moody and cold; sharing the melancholy, the dullness and the empty vacuum of being alone within a cultural and landscape scene, of exciting monotony. Becketts urban scenes may have been painted 100 years ago, but the tone remains the same. We recognise ‘those days’ and ‘those streets’; the sound of wet rain on the road.

Beckett studied under Australian Master Artist, Fredrick McCubbin (1855-1917) in 1914, at the NGV art school when it was housed in the State Library. McCubbin is renown for his idealistic bush scenes of muted realism, although known as an Impressionist, his scenes were uniquely his own interpretation. He didn’t travel to Europe until later in his life and his art grew within the Heilderberg scene. He had studied under Eugene Von Guerard, and was influenced by his romantic storytelling, that made McCubbin a household name.

Shelling Peas 1913 F McCubbin

When Beckett studied under the older artist, he had returned from Europe and had launched into his lesser known period, where detail was abandoned for a blunter European Impressionism. McCubbin’s new focus was less colonial and more urban and this would have enabled Beckett a more local focus for her themes.

Walking Home 1931 C Beckett

Beckett however broke away from the safe confines of her masters instruction and into the edgy new scene of modern Tonists that was led by McCubbin’s rival Max Meldrum (1875-1955), known as an ‘art upstart’. Beckett was Meldrum’s star pupil and member of the exclusive Twenty Melbourne Painters Society, that broke away form the Victorian Art Society, which is an art society limited to 20, that still runs today.

October morning 1927 C Beckett

“Meldrum was in many respects an outsider, rather than an accepted member of the art establishment”

(Australian Art A History, Sasha Grishin)

Meldrum taught his students to use limited palettes, hazy outlines and attention to the breakdown of tones. He regarded he’s study of tone to be scientific and aimed to create compositions that explored light, atmosphere, space and distance. Simplified forms and how they contrasted tensions, created a structure of order, when the artist approached their canvas.

Wet day Brighton 1928 C Beckett

Melbourne’s moody skys and the strong contrast of seasons is the perfect homeland for an artist who lived and focused her work on the eastern bayside villages. Beckett’s work never received the fame she deserved in her lifetime and although she was a prolific artist, most of her work was destroyed in poor storage. A longer life may have solved the issue but harsh Melbourne winters took their toll, on a woman, her trolley and the outdoors.

Princes Bridge, Flinders Street Station and clock tower 1930 C Beckett

This typical Melbourne scene has never been captured so well, a mood many morning commuters are familiar with. Her work evokes an emotional response like a shared memory of an event. She takes us on a urban tour through her art. Her work stikes a deeply personal tone within the viewer, it’s not a story, it’s home.

Beach scene 1932-33 C Beckett

Christmas Facts

‘Blessed be the God and Father of our Lord Jesus Christ, which according to His abundant mercy hath begotten us again unto a lively hope by the resurrection of Jesus Christ from the dead. To an inheritance incorruptible and undefiled and that fades not away, reserved in Heaven for you. Who are kept by the power of God, through faith unto salvation ready to be revealed in the last times.’

Peter 1,3-5

Christmas celebrates Christs birth, and this is a suitable honour to do, as we celebrate sovereigns birthday, albeit the wrong day.

Christ; son of the living God, YHWH, is anointed Judge over our lives. On our last day, we will be face to face with Him, all alone, to give account for our lives, the believing and unbelieving.

Christmas reminds us that a spiritual King has been born, known as the Messiah. Born in Bethlehem over 2000 years ago. For these centuries the WORD has been spread throughout the Earth and we have been given the opportunity to receive the gift of life in His eternal kingdom or not.

The ‘Last Days’ are when the world has ‘gone too far’ in the wrong direction, as the the days of Noah. Our civilisation is like a large structure (idol) that believes it has replaced God, however in the Last Days, an angel would be sent to chop it down, a frightening time called the Great Tribulation.

The false idol of our vanity isn’t worth worshipping as it will never let us be free . The yoke will come (digital identity), a yoke over the mind (media/laws), a yoke over our labour (reduced rights) and a yoke over our children (education). Only a Living God has ears to hear, only a Living God has an army to protect you, only the Living God can give life after death.

The baby born in a stable is now a King in Heaven, awaiting the moment of His return, to judge the nations. The Great Tribulation began on October 7, the match that sets off the nations. After the nations have expressed their stand, the Judgement begins.

‘Goat Nations’ will be handed over to the fullness of demonic depravity. Dramatically, the Earth will crack, wild weather will come and armies will ravish. People will hunger and thirst, not only for food, but for a glimpse of truth, hope and love, the blessings that come from the Living God.

In Judgement, the GOAT Nations will be cast into great darkness as they refuse to repent. The SHEEP Nations that put their trust in the Living God, will be spared the worse of it, as angels will be sent to defend them against a force that desires the death of their bodies and their souls.

Jesus (Yeshua) was born to save, His actual name means salvation.

Is Australia turning into a Goat Nation? If so, brace yourselves, as Hell is on its way. There is time to become a Sheep Nation, begin your return to God this Christmas day and remember Jesus. Those that stand with God (YHWH) will survive the trials and behold the new Eternal Kingdom. A kingdom on Earth to save you and give you a life of love and peace, a home where no evil can touch your soul.

but to those who repent, He permits return and He encourages those who are losing hope.

Ecclesiasticus 17

Dear Israel,

Dear Israel,

Remember me; … your God?

The God of Abraham, Isaac,Jacob and Moses; the line of the HOLY KING, that some call friend. Remember Daniel, Isaiah and Ezekiel.

Remember when EGYPT threw your babies in the Nile and God collapsed their empire.

Remember when you were thirsty and the rock gave you something to drink.

Remember your Living God that you should serve. He is watching, He is waiting. Call on Him.

Remember when you could rely on the cloud to guide you and the fire to guard you.

Remember when the army force was threatening you and God blinded them all and the prophet fed them, and sent them home.

Remember when ONE angel slew an advancing army.

Remember when your clothes never grew old and the bottles of oil, never ran out; because angels brought supplies from Heaven.

Your God is the God of hosts (armies). He made the firament and the sea.

How long will you flounder in the valley of decision?

I AM

Selfie

I ponder that we have failed to see our depravity, until it is fully exposed. Like a selfie, reflecting back our own nature and seeing a lost soul. Builders build mighty cities; towers that reach the clouds, but we can not discern right from wrong.

Sometimes, puss ozzes out from the world, that we created and we are forced to address that which was concealed. A Syrian child bleeding from the head, from bombs dropped on his home, when we know as adults that we are suppose to protect children. We see koalas burning in bush fires, saved by brave women, when weeks before, the Government had planned a koala cull.

Compassion for animals is finally being addressed, yet the fate of children has become that of a sucking lamb on the menu.

I would never, in my rational mind have reasoned that infanticide would need to be addressed in our society. Such cruelty was reserved for regimes built by Hiltler, Idi Amin or Pol Pot, not us. The indifference is even more shocking.

The word ‘abortion’ has taken a massive leap since the early days. Originally sold to us as a remedy for rape victims and later the general public when the ‘fetus’ was less than 6 weeks old. Our minds, reasoned with the tepid fruit of knowledge, and agreed with these boundaries. But how that seed has grown, and how its roots have spread and now unbound. Laws that permit a birthed baby, to die.

In 2017, a massive STOP SIGN appeared in the sky. A warning, of judgement pending. A time to repent. The 2020 curfews came swiftly after. The wake -up call.

“There will be signs in the sun, moon and stars”

Lord YESHUA

2017

blood moon

When DNA coding was recognised, just a few decades ago, a door was thrown open. Back then it was a moral dilemma, nowadays it’s not treated as such. Fetus tissues are used currently in some medications, making the status of the source, a commodity.

The new abortion laws passed in Australia are inhumane, they allow a baby that survived the procedure, to die alone without medication or dignity. We wouldn’t allow an animal to be treated this way.

The SHACKLED artist

1941

Frida Kahlo & Diego Rivera in Australia

Frida Kahlo was shackled in a body, and rooted to an artist, that life had chosen for her. She may have aspired to be a doctor, and marry a young man, to have a car load of children; but this was not for her.

“There have been two great accidents my life, one was the trolly, and the other was Diego.”

Her flowing garments distracted the viewer of the restrictions within.

Within the deep loneliness of betrayal, she made a friend of self portrayal, documenting her stoic response to a body was held together, and coming apart, like her marriage; she was on shaky ground. The unsmiling cool demure, and films of Diego shuffling around her like a creative volcano, that was ready to explode, depict the tension.

Somewhere within this mistress of disguise, was a frail heart, that revolved around her husband.

Diago on my Mind 1943 KAHLO

Diego, an accomplished artist, was 20 years her senior, who studied fresco painting in Italy and a was a Mexican art star. As a communist he was interested in the condition of the worker.

Fresco wall art 1932

In his portraits and paintings, we see the ‘lover of persons’, that Frida would have basked in. His sensitive attention to the the subject and ‘eye’ for subtle beauty is enriched in his depictions.

Calla Lily Vendor 1943 RIVERA

It is disappointing that there is no portrait of Frida , although his admiration of Cristina, her younger sister, is documented.

Portrait of Cristina 1934 RIVERA

Why should Frida care, she can paint herself. Years of watching her face develop in the mirror over her bed, made her a authority of her image.

Self portrait with necklace 1933 KAHLO

Art, science and a husband could not heal Frida, they just added to her pain. The catholic and communist doctrines could not dress her wounds. Death like a skeleton hovered over her bed, like other South Americans, the dead haunted the living.

The tender call from Heaven, to heal it’s daughter was unheard, her idols were Lenin and Diago. A life without God, as we know it. However as injured as she was, she forgave. She forgave the trolly and she forgave her husband, they married twice.

The Jacques and Natasha Gelman collection at the Art Gallery of South Australia showcased other Mexican artists although the major focus, was on the famous couple.

Portrait of Nazario Chimes Barket 1952 Emilio Baz VIAUD

The 150 works chosen are art pearls, they began their collection in 1940, and bought many pieces directly from the artists.

Art Patron

Both Diego and Frida painted portraits of their Art Patron Natasha. Friedas depiction has the intimacy of a woman painting another, with curls that echo the shape of the curlers, as though they are invisible present. Her face paint, earrings and fur coat are fashionable, without personality. The cold gaze of the eyes, reveals very little of her character and the clothes , like Frida, distract us from the truth within. Eyes that have seen war.

Portrait of Natasha Gelman 1943 RIVERA

Rivera’s portrait of Natasha is a much more dramatic and sensual statement of glamour and fashion. Frieda painted her with eyes glazed over, but Diego captures a bold and defiant stare. The lily theme re-appears, however when he painted them with the flower traders (workers) they were vibrant and dramatic, they have lost their power in the customers abode.

The flowers are designed to ornament the patron, she is the principle Lily. her money can buy her a place in a Diego composition, and in return he gets a wage and a safe abode for his artistic inheritance.

Ironically the capitalist exchange harnesses Frida and Diego despite their bravado.The Gelmans even framed a letter written by Frida begging for money, a rather shallow thing to do.

The Man who United our Nation

The Lonely Hero

image

Lionel Rose was unaware of the National Pride that he had evoked. When the plane landed back in Melbourne in 1968, thousands of well dressed white people cheered from the tarmac and balconies to welcome home the Aboriginal Star. A convertible was parked awaiting his arrival.

” Who are all these people waiting for ?” Rose asked the Air-hostess. He thought that maybe a The Beatles had arrived at Essendon Airport.

“You” she replied.

image

Lionel Rose was a National Boxing Hero after he won the Bantamweight Title by beating Masahiko ‘Fighting’ Harada, the Japanese Champion in Tokyo.

People had sent gum leaves over to Japan in support of the young boxer.

Lionel Rose was propped up at the back of the convertible so that the roaring crowd could get a good look at him and shake his hand as he passed. A ticker-tape parade down Swanston Street had been arranged, and the street was lined with 100,000 Melbournians, cheering the Aboriginal man. He went on to become The Australian of the Year in 1968.

image

Aboriginal people had been granted Australian Citizenship in 1967 which meant that Rose could obtain a passport, buy land and obtain legal rights. The constitutional Referendum, to allow Aboriginals rights, was voted in favour by 90.77 of the population, on the 27th of May. Rose won the Title on 26th of Feb, which meant that the 19-year-old had been an Australian Citizen for 9 months. Rose was a Celebrity for both Aboriginals and Caucasians, when the fight against racism was still on shaky turf.

Rose was the first Original Australian to be named Australian of the Year. When accepting the award, he said;

“One hundred and eighty-two years ago one of my mob would have been a dead cert for this.” (www.australianoftheyear.org.au)

RECONCILIATION WEEK May 27 – June 3

Genocide 1975

Acclaimed New Zealand Documentary Director, Annie Goldson is a strong formidable countenance and she needs it, as many of her subjects are capable of murder or the victims of the culpable hand. She needs to know when to back off.

Goldson began her career as a Journalist and has ‘inched her way’ into filmmaking. She tackles the hard facts behind the news stream and goes into the bog, looking for the truth. As a political observer she finds her stories ‘everywhere’, she is curious and like Alice in a complex Wonderland, has to adapt quickly. We may wonder why the terrorists are so irate, she takes her team and her camera and asks them. She is a historians torch into the unknown.

IMG_7817
He Toki Huna: New Zealand in Afghanistan

Brother Number One, a challenging work, presents from past events of the Cambodian Genocide under Pol Pot.

New Zealander Ron Hamill, the films source, explains how his carefree adventurous brother Kerry ,sailed into a nightmare.

“An innocent man brought to his knees and killed in the prime of his life” Ron Hamill

Goldson records Hamill’s emotional pain as he addresses the torture and death of his sibling at the War Crimes Tribunal.

The mass Genocide that murdered 2,000,000  ( a 1/4 of the population) was led by a ‘charismatic and smiling’ leader Pol Pot who was indifferent to the torture of babies. In 1975. He led the Kamor Rouge into Nu Pen and in 72 hours he had cleared the city of its inhabitants and sent them to work in labour camps, to grow rice that he would export as the population died of hunger, overwork or beating.

“Documentaries are always a challenge.” Goldson

Her films are intense political dramas that set the stage and cast its light into the ‘heart of darkness.’ Her other well-known films that she Directed are; Punitive Damage and An Island Calling

All photo’s courtesy of Annie Goldson film extracts.

Orwell’s 1984 in 2024?

40 years on

‘Power is only what you allow it to be’.1984

English-born , George Orwell’s, 1984, re-visited.

Despite the age of the novel, its potent warning remains.

Orwell wrote the book in 1948, but it’s most relevant to those born in 1984 as the days of surveillance are upon us. ‘Big brother is watching’. Ironically Steve Jobs included a clip of the movie when Apple launched the Mac, in 1983. 1984 and the internet age coincide and determine the possibility of life imitating art.

Many of us read 1984 at school, a few of us saw the movie and though it’s been dormant for a decade or two, it resurfaces in a blaze.

Written as a Sci-fi, he wrote it based on events he witnessed as a Colonial Policeman in Burma. He never went to university and was not author previously, but what he wrote continues to resonate through time.

‘Why was he writing it? For the future, for the unborn’ (1984)

In ‘1984’, war is prolific, slavery, torture and imprisonment without trial, are common and fear abounds. The population is constantly aware that they are being watched and denied privacy.

He explains that ‘double speak’ is talk that reframes negative terms as positive and this language is used to subvert and confuse the masses.

War is Peace

Freedom is Slavery

Ignorance is Strength

Orwell knew the exploitation of power as he saw it first hand, as an inflicter, not a victim. He had used a female slave as a house companion, enforced cruelty and led men to their deaths. 1984 was to purge the pain of his conscience and to warn the innocent.

‘The hate had started.’ Orwell

image
1984

“To hold the population down by force, I was in the police, which is to say. I was part of the machinery” Orwell

Although Orwell engaged in an evil authority he could not digest it, it disturbed him and led him to undermine his future life in acts of penance. 1984 was written to warn the innocent and to have hope that a future he saw could be prevented.

“ I watched a man hang once …… I didn’t realise what it meant to destroy a healthy conscious man…cutting a life short when it is in full tide, this man was not dying, he was alive, just as we were alive. He and we were a party of men, seeing, hearing and feeling, understanding the same world and in two minutes one of us would be gone” Orwell

Today young children play killing games, in their rooms on their computers. Some of the video games are rich in realism which makes the malice more personal; some are playing on Defence websites that observe their results for recruiting purposes. Many parents adopt the slogan, ‘Ignorance is Strength.’

‘So vicious was the boys demeanor it was hardly a game, it was frightening like tiger-cubs that will grow into man eaters … Mrs Parsons eyes flitted nervously from Winston to the children and back again….they do get noisy, she said. They’re disappointed because they couldn’t get to see the hanging, I’m too busy to take them.’ 1984

Orwell like Vincent Van Gogh walked away from his middle class life to become ‘down and out in Paris and London’, as a hobo he hoped to rid himself of the imperialist past that haunted him.

According to Orwell, war is ‘double think’, it is to use the product of the machine without producing goods. It is designed to strip human resources so those that have absolute power, can enjoy power.

If people live hungry and are overworked, even when it is easy for all to live well, it serves cruelty. Orwell explains in 1984 that there is a surplus of resources and all are able to live well but this is contrary to the desires of the ruling class.

‘The slave population allow the continuous tempo of war to be sped up …the primary aim of warfare is to use up the products of the machine without raising the general standard of living, the problem of what to do with the surplus’ 1984

Orwell explains that poverty is deliberate.

The Top Ten

The original set of Commandments were the moral compass for the refugees that were escaping slavery and dreaming of a better place.

IMG_6069

I0 LAWS

1. CREATOR
“I am the Lord your God, who brought you out of the land of Egypt, from the house of slavery.”

2. NO IDOLS
“You shall not recognise other gods before Me. You shall not make for yourself a carved image, or any likeness of what is in heaven above or on the earth beneath or in the water under the earth.”

3. RESPECT,  do not blaspheme.
“You shall not take the name of the Lord your God in vain, for the Lord will not leave him unpunished who takes His name in vain.”

4. SATURDAY
“Remember the Sabbath day, to keep it holy. Six days you shall labor and do all your work, but the seventh day is a Sabbath to the Lord your God; you shall not do any work, you or your son or your daughter, your male or your female employee, your animal or your visitor, within your gates.”

5. PARENTS
“Honor your father and your mother, so that your days may be prolonged in the land which the Lord your God gives you.”

6. KILLING
“You shall not murder.”

7. CHEATING
“You shall not commit adultery.”

8 THEFT
“You shall not steal.”

9. SLANDER
“You shall not bear false witness against your neighbor.”

10. ENVY 
“You shall not covet your neighbor’s house; you shall not covet your neighbor’s wife or his business or his vehicles or anything that belongs to your neighbor.”

“We must learn to live together as brothers or perish together as fools” Martin Luther King

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EARTH IS A PRISON

The 5th Column

The 5th Column, facilitated by the collapse of the 4th Estate.

2020

The problem with a political Coup, is that the instigators have to move fast, as they are normally a small band of people, draped under the haze of deception. Their aim is to take-over a blind-sided community, city , state ,country or world.

Naunihal Singh who wrote ‘Seizing Power; the strategic logic of Military Coups’ explained the key essentials for a take-over to be successful are;

  1. Seize the MEDIA, make their (fake) news look real and the (real) news look fake.
  2. Give impression that opposition is futile.
  3. The higher the rank of the coups perpetrators,the greater the success.

Coups are resposible for the over-throw of many democratic governments. It is essential to take over major TV stations to broadcast it’s own narrative. News becomes propaganda, ‘experts’ pound the essential message that resistance is futile.

If the take-over involves an anticipated genocide, then it has to be orderly and methodical, keeping the victims calm as they participate in their own destruction. This is how the German, Nazi agenda worked. They sent Jewish families letters to go to the railway station on a certain day, and take only one suitcase. It was so orderly, that Jewish families helped with the packing and often went with them, to see them off. The cattle carriages should have been a clue of where they were heading.

Many asked the question, why did the Jewish people ‘go along with it‘?Apparently, they hoped that if they complied, that things would eventually go back to normal, but normal never came, quite the opposite. They were marked, imprisoned and murdered, many were used as test subjects in medical trials. Six million died. It was a massive de-population of an ethnic group. They also killed, gays,disabled, elderly, children, Jehovahs Witnesses’s (they wouldn’t recognise a different GOD )and sterilised dark skinned people.

Propaganda is communication that is primarily used to influence an audience and further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis.

Every coup relies on media to broadcast an extensive campaign of misinformation, the media has to be seized and legitimate journalists find themselves out of work. It involves financial backing from a bank, or corporation, an institute that stands to benefit, like a drug company, media organisation, maybe software company, the list is endless; they just have to be rich and want power.

Netflix series the Crown in its 3rd season, explored the Plan Brutus plot to overthrow the Wilson government with a coup led by a royal relative Lord Mountbatten. The Mountbatten character does his research on what is involved in a coup and comes up with this synopsis.

For the take-over to look legitimate or appear constitutional, there has to be A STATE OF EMERGENCY.

“it is essentially a declaration of war on freedom,democracy and capitalism; we are proposing a radical revolution lead by bankers, businessmen and armed forces”

The character lists 5 essential ingredients needed to be successful;

  1. CONTROL media
  2. CONTROL economy
  3. CAPTURE administrations (schools, churches,hospitals etc)
  4. LOYALTY of military
  5. SECURE parliament (arrest PM)

He goes on to add that they would need to;

Shutdown Airports & Train stations

Implement a CURFEW

Declare Martial Law

Grounded planes

This real life drama took place in 1965 and although Wilson survived and remained Prime Minister; our Gough Whitlam, in 1975 was not so lucky.

Australian Govt Whitlam sacked by Queens Representative

There have been instances when a nation killed within its own community. In 1994, Rwandan President Juvénal Habyarimana’s plane was shot down and a murderous campaign ensued to eliminate political opposition by slaughtering the Tutsis population. Ordinary people killed their neighbours with axes.

Street Artist Peter Drew

Why? Because the radio told them to do it!

In retrospect it is understood that had the radio station been taken down. the genocide would have stopped.It was a popular hate fuelled propaganda broadcast that made the popular emotionally charged and irrational. 800,000 people died in 100 days, apparently France was complicit.

Could we be vulnerable?

Could TV and Radio dictate to us, as though it is the Authority, and should it be used to ridicule political office, if it doesn’t comply. Is this what Orwell referred to?

What would a world government look like, what would be it’s agenda? Well, it would have to send small radical groups to lobby Parliament known as NGO’s, until it could step into its role. A state of Emergency and media proclaiming that the countries elected Prime Minister is not the primary decision maker.

Ignorance is key.

Horror Movie It’s the 6.30 news For the killin’ and the hatin’
Switch on the station, oh yeah
They do a lotta sellin’
Between the firin’ and the yellin’
And you believe in what they’re tellin’, oh yeah

LEST WE FORGET

WW1 & WW2; We don’t need another WAR, We can’t be complacent.

The 4 horses


…as I watched, there was a white horse. Its rider was holding a bow. He was given a crown, and he went off winning victories, and to win more of them.


It began in 1914 after the assassination of Archduke Franz Ferdinand of Austria. His murder catapulted into a war across Europe that lasted until 1918. In those days most countries were ruled by royalty, in-fact many were related and the offspring of Queen Victoria.

The kingdoms were expecting a quick war, the soldiers went off cheerfully, hoping to be home by harvest, none could have imagined the blood-bath that awaited them. The world had never experienced this type of warfare, where few would barely survive. The royal armies would include the bow of the middle east.WW1 sets of the events that would carry through into WW2.


...And another horse went out, fiery red

.
The Red Baron, Germany removes Russia out of the WW1 to prepare for an American retaliation. They put Lenin on a train and sent him to Russia to cause a civil war; de-throne the royals and introduce communism. Essentially by keeping the Russians busy killing each other, the Germans could concentrate on other fronts.

Communism took root in Russia and flew a red flag with a sickle. The red horse removed Peace.

Christian loyalty between nations was dissolved under the weight of communism.Russia would make a tragic alliance with Germany, a false treaty that would create major losses in WW2, before it sided with the opposition.

This was a ruthless and unholy war; soldiers envied the dead because ‘it was all over for them’. Vulnerable persons and Jews were round up, like sheep to the slaughter and there was no mercy.

ANZAC

DAY



Then came, the Black Horse; the banks and the oil of the Middle East.

Iraq was formed and the men never returned to their harvest. In WW1 & WW2 poverty abound, the oil was required to keep the war going and alcohol was sent to the troops to calm them.

The Earth was charcoaled black.


As I looked, there was a pale horse, and its rider’s name was Death. Hades followed along behind him. They were given authority over a quarter of the earth, to kill with the sword, and with famine, and with death, and by means of earth’s wild animals.


In WW1;10 million military died, 7 million civilian deaths, 21 million wounded, and 7.7 million missing or imprisoned. The Ottoman Empire (Turkey) carried out genocide of 1 million Christian Armenians. In WW2 85 million died. Beyond the official numbers more died of the the diseases and povety that the war created.

Gangrene set in,and bodies were rotting and destroyed, people were homeless and the water was polluted with sunken ships as chemical warfare choked the air.

Death was everywhere and the corpses, attracted rats. One pair of rats could produce 880 offspring in a year, so the trenches were swarming with them.

In WW2 the German Nazis systematically murdered six million Jews, around two-thirds of Europe’s Jewish population

The 6th Seal is opened and a great earthquake slices the Earth.

During the wars, trenches lined the nation’s borders, the enemy would burrow under them and blow them up causing massive craters along the borders.


The sun became as black as sackcloth

The smoke plumed as bombs released toxic chemical contents and flying shrapnel, that flew like swarms and darkened the sky.

The stars fell like figs shaken by a mighty wind

Rockets flew from one trench to the other.

People hid in caves

Most populations, rich or poor slept in underground railways.


144000 tribes of Israel are sealed

Despite the genocide, some Hebrews would survive the Holocaust.
The Ottman Empire was taken by the British led ANZACs and Russians in WW1; and in WW2, those that escaped the death camps would settle in Israel.

4 Trumpets sound

faithful

Understanding who the Messiah is, and that his pending return signifies personal reflection. The Kingdom of Heaven borders will be extended to include Earth. The King came meekly, however in the near future He will come to Earth as Heavens King, and it will be traumatic, because many aren’t ready.

IT’S MORE THAN A CHRISTMAS STORY

‘He who is faithful to the end will have eternal life.’

  • * * * * ** * * * * * *** ** ** ** ** ** * * * ** *

The Archangel Gabriel visited a young woman to inform her that the Messiah would be planted in her by the Holy Spirit of YHWH. The woman was engaged, however she had not had sexual relations with a man. She would have known how much this would have compromised her, even to death in those days, but she accepted it and said;

“..be unto me according to your word”

Her fiancé Joseph was upset that his betrothed was pregnant and wanted to divorce her quietly, so as no harm would come to her. By the Law, she would have been stoned to death. During his personal crisis, an angel visited him in a dream and told him that it was true; that the child was from God

YHWH had shielded the Earths King in a local scandal, that innocent youths would need to endure. It would seem unlikely that the Christ was within the woman and it was this, that kept them safe. The modest couple journeyed to Bethlehem, due to the Roman census. This would ensure that they were recorded in history.

King Heold was not aware that God’s son was about to be born, but the wise men of Babylon knew, because Archangel Gabriel had also visited the prophet Daniel, some hundred years before. Daniel’s writings had been preserved in the country known as Iraq today. Gabriel had shown him the future, including the end times (our time).

The entrance of the foreign visitors alerted Herod senior, that the Messiah was born, so he sent out executioners to kill the children, to prevent it.

Archangel Gabriel, warned Joseph, so he gathered Mary and Yeshua (Jesus ) to go to EGYPT. They had few clothes, a new born child and a donkey. They took the slow, long trip into a foreign land, relying only on each other and the faithfulness of God. Fortunately the ‘wise’ men had given them gold. They would not see their families for a decade. The hidden King grew up.

The angel returned and told them when Herod snr, was dead so they could return to Israel. Back home they had a large family, it’s unlikely that they would have told the siblings, of the first borns divinity. They would have worked, laughed, attended synagogue and the festivals together. A modest person, in a large working family would not have drawn attention. However his parents knew and waited.

Yeshua, a Jewish carpenter put down his tools at the age of 30, to spend the next 3 years in preparing his country, for a Revelation. His first stop was the river Jordon, where he was baptised by the prophet , John the Baptist. After emerging from the water, the Ha Ruach Ha Kodesh, (Holy Spirit) of God descended on him, and the Prophet proclaimed.

“…I saw and bare record that this is the son of God.”

He attended a wedding with his new disciples and family. The wedding ran out of wine, so Mary went to Yeshua and asked for his help. This makes it clear that she was fully aware of his ‘gifts’; he turned the water to wine.

Over the next 3 years he healed people from blindness, leprosy, illness, withered hands, curved spines, hunger, thirst and death. He sent 72 followers out, to heal the sick.

The seventy-two returned with joy and said, “Lord, even the demons submit to us in your name.”

He replied, “I saw Satan fall like lightning from heaven. I have given you authority to trample on snakes and scorpions and to overcome all the power of the enemy; nothing will harm you. However, do not rejoice that the spirits submit to you, but rejoice that your names are written in heaven.”

MEANWHILE ….In Jerusalem a thief and an political activist that had committed murder, were being sentenced to death, by Roman law they would be hung on the cross, one of them we know is named Barabas (name means son of father)

On the night before the passover, He gathered the 12 disciples of the inner circle, to discuss the need of his sacrifice and that he would be preparing a place for them in Heaven.

“Let you heart not be troubled; ye believe in God, believe also in me. In my fathers house are many mansions; if it were not so I would have told you. I go to prepare a place for you. And if I go and prepare a place for you, I will come again.”

Despite all his love and the healing of many people; he was condemned. By now, it was apparent that he was the King, the promised Messiah and the religious leaders had no interest in giving up their entitlements, so they deceived the people with false accusations. Would the Pope give up his little country, bank, palace and political power for this man; the son of God?

ISAIAH 53 He was despised and rejected by men,
a man of sorrows, acquainted with grief,
One from whom people hide their faces.
He was despised, and we did not esteem Him.

Yeshua was executed in the place of Barabas, and spiritually, in the place of all those that have the claim of, ‘son of the Father’. He would die along side a thief that would be the first of the redeemed and given a home in Heaven. The unnamed thief was the only man that defended Yeshua, in his time of need.

Do you not even fear God ……. we indeed are suffering justly, for we are receiving, what we deserve for our crimes; but this man has done nothing wrong.”   He said;“Jesus, remember me when You come into Your kingdom!” 

And He said to him, “Truly I say to you, today you will be with Me in Paradise

Despite all the healing, the feeding and all the disciples that enjoyed the miracles and fame, Yeshua had only his mother, his aunty, Mary Magdelene and one disciple, John, on his darkest and loneliest day. Every one else had either turned against Him, or were hiding.

Mary Magdelene was the first person Yeshua greeted when he rose from the dead.

After He had returned to the disciples alive so they could witness the resurrection. They became bold, from the evidence, not from faith. One morning Yeshua cooked breakfast on the beach and Peter asked Yeshua about John, the disciple that had been faithful.

“What about him Lord”

“If I want him to stay behind till I come, what does it matter to you?” Yeshua answered.

John was the only disciple that did not die a violent death, in-fact he was shown Heaven and entrusted to record Revelation, a prophesy from Yeshua, about the Last Days.

He rewards those that are faithful and endure to the end.

Blessed are they that do His commandments,that they may have the right to the tree of life.

Fresh Air

They took all the trees
Put 'em in a tree museum
And they charged the people
A dollar and a half just to see 'em
Don't it always seem to go
That you don't know what you've got
Till it's gone
They paved paradise
And put up a parking lot

Surrealism was born during the lunch break between the wars, a century ago. What had become of the precious Earth, of life. Nothing made sense anymore. The bombing catastrophes of crushed homes and disfigured people. Normal life was a nightmare and people couldn’t talk openly anymore, so surrealism became a language also; a visual code.

In 2009 the NGV hosted the Dali exhibition ‘Liquid Desire’ and the most haunting and disturbing painting was Mountain Lake (1938). The painting captured the helplessness of what was coming.

mountain-lake

The backstory was that the communications between Neville Chamberlain, the British prime minister; and Adolf Hitler were cut, leading into the horrific 2nd War. Dali’s works are full of crutches, just as Melbourne artist John Brack’s shop windows, are of artificial limbs, for the war veterans that came home.

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The war broke out in 1914, but before the turn of the Century the Pre-Rapaelites were encouraging people to return to nature.Pre-Raphaelite-Waterhouse

What will the artists say now. Apartments have become prison cells. We need to think in our isolation, where Australia will be in the future. Not just for us, but for all of us.

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He wasn’t dead, just asleep.

If a man wakes up after a public and violent death and then walks within the community and meets with friends, then death has no power over him. He must be the Messiah, the son of God. What does such a person say when he meets with others.

Yeshua said to them,”Peace be with you. As the Father has sent me, even so I am sending you.” And when He had said this, He breathed on them and said to them , “Receive the Holy Spirit. If you forgive the sins of anyone, they are forgiven, if you withhold forgiveness from anyone, it is withheld.”

About a week later his friends were fishing from a boat and Yeshua was on the shore, He called out to them;

“Children do you have any fish” No they answered.”Cast the net on the right side of the boat and you will find some”

When they landed the boat, they saw a charcoal fire in place, with fish laid on it and bread. Yeshua said “Bring some of the fish that you have just caught”..”Come and have some breakfast”

When he was on the Earth, He healed the sick, raised the dead, fed thousands, restored sight, stopped storms, walked on water, cast out demons and asked for nothing in return. He lived a modest life and rewarded kindness, yet He spoke with authority.

Through Yeshua we find a person who cares about the daily woes of his friends, and seeks to help them, when they are in need: despite being King of Kings and Lord of Lords.

Greater love has no one than this, that one should lay down his life for his friends.

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Road trip

With International travel becoming compromised by health and safety travesties, it’s time for a road trip. The last days of Summer, Adelaide Fringe, is an ideal destination. If you have time, take the scenic ocean route, otherwise head inland via the flat farmlands, it may be a rather dull journey but there are a couple of gems on the way, including the regional Art Galleries, a pink lake and a puppet shop. 

Ballarat

Ballarat’s Art  Gallery hosts 11,000 works exploring themes such as Country, Place, Home & Disruption.

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Top: ‘A Love Story’ by Emanuel Phillips Fox 1903 & ‘A Football Game’ Russell Drysdale 1945

Bendigo

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Established Australian Artist, a Gunditjmara /Yorta man, Josh Muir explores the inner navigation of being an original people within a post Colonial culture. He is an insider and a spectator from both perspectives that would create a quandary, unique to the artists role. It also allows him to quantify insightful concepts.

Salt Lake

The naturally pink lake is a stella stop on the way and a great place for a walk and picnic. The calm rose lake and it’s white shores create a  surreal environment and a nice place to unwind and contemplate.

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Puppet shop

Expect the unexpected. After a series of townships that offer the traveller mere basics; bad coffee, fried food and petrol we stumble across the Kaniva Puppet shop! Creative entrepreneurs, find niches and see beyond limitations. The shop and its mini theatre has enhanced the local schools creative agenda.

Fringe Festival

Arriving at ‘The Garden of Unearthly Delights’, in Adelaide for the final week of Fringe Festival.

Comedy in the gardens

The village of semi permanent structures creates a small comic world where audience and actor share the space. Reminiscent of pre-industrial fairs with contemporary flair the buildings are as fascinating as the shows. Cafe/Bars populate under the trees as we sit with a glass of wine and enjoy the last days of summer.

COVID-19’s sinister destruction awaits, like a show in the wings; ending such festivals for a time and half a time.

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Back to the 80’s

THE NEW WAVE

The 1980s New York Art scene gave rise to emerging young talent, such as the artists Jean-Michel Basquiat and Keith Haring and introduced musicians  Debra Harry (Blondie) and Madonna. Andy Warhol had created a niche that they were destined to populate. The concept of the artist as a brand and a superstar seduced the young and transported them from Graffiti Artists to Legends. The middle classes had left the town for a comfortable suburban life and the urban alleys and apartments became a playground for the creativily misunderstood. The video clip of Blondies ‘Rapture’ introduced the new players.

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Basquiat’s work reveals a tapestry of lines that go into the development of the image whereas Haring’s art, is the stripped back result. The NGV exhibition is currently showcasing both artists under the banner of ‘Crossing Lines’. It’s a journey back into our recent past. 

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Untitled 1982

In the early 80’s, Basquiat was surviving without an income and sourced materials from his environment. He took doors and whatever boards he could from condemned properties, to be his canvas. The palette is made up of house paint and oil pastels, this makes the work more intimate as the artists circumstance is apparent. The roughly stretched canvas suggest an artist more interested in the work than the presentation.

Both artists were acute to the prejudices hidden within the social fabric of the time. Haring and Basquiat were presented in the 1981 ‘Public Address’ exhibition hosted by Annina Nosei Gallery. The work ‘Irony of a Negro Policeman’ addressed the issues Basquiat struggled with; that police hurt Black Americans. The figure with anxious eyes and a clenched mouth highlights the inner turmoil. Using the word PAWN; he spells out his conviction.

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Irony of a Negro Policeman 1981

Haring once said;
Basquiat 'wielded his brush as a weapon, struggling against exploitation, consumer society. repression, racism and genocide'

In Haring’s ‘Malcom X’ 1988; he visually records the activists death within a red noose, likening it to a trophy killing.

Jean-Paul Basquiat rode in limousines because taxis wouldn’t stop for him. He lived the Art Star lifestyle within the dangerous backdrop of racial realities. Many of Basquaits works are untitled, allowing the imagery to speak volumes, like the artist. A man of few words, using Art, to describe his large emotions. He often used halo’s above his anatomic skulls as a reference to the deaths of martyrs.

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Untitled 1984

Both Basquiat and Haring considered themselves ‘Radiant Children’ entitled and indulgent. They crossed the line in decadence that would ultimately lead to their early demise.  Basquiat threw parties serving caviar and cocaine and at 27 died from an overdose. Haring lived an unrestrained party-life and eventually fell victim to Aids. They rose out of the tar of the City, like flowers in the cracked sidewalk and as the era faded away, the value of their work became currency.

FEATURE IMAGE

detail from Untitled (Pecho/Oreja)         82-83

 

GO ON THE NGV VIRTUAL TOUR of the exhibition.

 

Poster Boy, SAMO & Mr. Eternity:

The power of the word is omnipresent, we can all view it in unique perspectives, and although many witness it , at the same time; our moment is personal. The word ‘universe’ translates as ‘one-short phrase’. One Word, in a biblical sense created life. Words are used daily to encourage, to hurt , to build prejudice, and so forth. Advertisers use words with the motive to sell; Evangelists use words to save souls and graffiti artists use the word to engage.

PETER DREW

Peter Drew; Adelaide born artist has plastered the country with elegant portraits of Aussie’s that enable us to question the meaning of being Australian; a concept beyond a backyard BBQ.

“When your sneaking around the City at night you feel like a kid again.”

Drew is a peace activist that pastes a sense of reason into the hearts of the commuter. A casual glance at his picture-word statements is a thought provoking experience. He recognises that the street is an equaliser and draws the spectator into a dialogue of connection. Drew questions identity and inclusion. In a hi-vis vest, the artist has plastered up to 4000 artworks with a glue bucket and a broom.

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What began as local phenomena, has boomed into an International experience; his reaction has become a political dialogue. He is an Artist with a message.

JEAN-MICHEL BASQUIAT

The NGV is currently hosting an exhibition that highlights the rise of New York Artist Jean-Michel Basquiat whose career began with writing simple and convoluted statements on city walls, under the identity of SAMO. Influenced by Andy Warhol, the artist leapt from advertiser to agitator, using the concepts of ownership and branding in a broader concept.

Basquiat entered the art scene as an urban nomad notorious for couch-surfing and graffitiing the homes within which he stayed. With word and form the artist took ownership of the material, ownership was translucent, a tender shift from theirs to mine, with a simple C within a circle around it and it was copyright; it was his.

Within the Warhol tradition the ‘Radiant Child’ used graffiti to promote his brand and identity, the ME generation was born, already bored with life. Basquiat however, possessed a passion that his mentor lacked; a statement involving the treatment of the ‘Black People’ in American.

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History of the Black People 1983

ARTHUR STACE

Mr Eternity was a media title endowed upon a graffiti artist that wrote the word ETERNITY in perfect copper plate using chalk and crayon around the streets of Sydney for over 20 years. He kept his identity secret, until he was caught in the act. On the New Years Eve of 2000, the Harbour Bridge blazed with the word ETERNITY in honour of its humble artist.

Arthur Stace was a broken man when he walked into a Church for some tea and rock cake. He was an alcoholic born into domestic violence and palmed off to foster care, he fought in WW1 and lost the mental battle. Waiting for his cake and tea he was subject to a sermon that resonated within him and he became transfixed with the concept of eternity. He left the Church in the dark and broke down into tears, beneath an urban fig tree. This was his turning point, he never drank again.

“You’ll soon be back in the gutter again.” 

Local police scoffed at the ‘new man’. He was back in the gutter but this time , not to lay in it, but to save souls and feed the homeless; he was on a mission. His practice was to rise at 4am, help the homeless and graffiti the word ETERNITY though-out the City.

 

War?

How do you prepare for War?

During the recess of WW1 and WW2, could the German Jewish war veterans that fought for the German Army, have imagined that a new war was coming, that would destroy them, if it could. In those day’s Europe folded, now they follow the piper. These are new days.

In the second war, some unlikely alliances rose to survive; England, Russia, Australia, New Zealand and the Old Commonwealth; then the Americans came to fight. As these quarters rested, new wars brewed and we often wonder, who lit the match. The Asian wars, the African wars and the Middle East. Nation against nation. Weapons, Hired Guns and Slaves are a thriving enterprise and someone is making a profit.

Refugees; homeless, all full of anxiety, rock in the ocean and await angry shores for a smile, a wave and a welcome new home. Could it be you, will it be you?

How do you prepare for war? Who are our friends, who is a spy? If the bully fails, are we safer or worse off? Do our blind guides know where they are going?

Will the garden idols save us? Who are the hired hands fighting for? Don’t lose your head, stay calm; why should we care?

How do you prepare for war? Will your house survive? Where will you hide? What will you wear? Can you make a fire, or plant a garden when the fuel and food are gone. Who will you pray too, when the bombs fall? Ask a refugee and ask how they survived a war.

 

Probing the Firmament

There are 2 concepts of the Globe or Orb, that we live in. Most scientists claim that we live on Earths surface and the ancients believed, that we are within an enclosed structure known as the firament. In 1958 the the physicist James Van Allen discovered the ‘ceiling’ was made from radioactive particles, it became known as the Van Allen Belt.

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The Belt region has posed an obstacle for those  hoping to travel into the high regions and has been a serious blow to the advancement of the Space race. Debate and suspicion regarding the integrity of the moon landings was reconsidered and weighed up against the level of damage the craft and astronauts would have suffered if they went through it. Most satellites drift around in lower orbit.

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In 1962, Scientists went to the Pacific to test its nuclear capacity by setting off  rockets into the sky, it was known as Operation Fishbowl. Hundred’s of atomic explosions were hurled into space, during this era, making the islands below uninhabitable and causing unknown levels of destruction beneath the sea. It seems as though the rockets exploded below the Belt, however the Ring of Fire in the Pacific region has an unstable ocean floor, the plates can shift, creating earthquakes, tsunamis and setting off volcanoes in the vicinity.

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In 2012 Scientists sent up the Radiation Belt Storm probe that was later renamed the Van Allen probe, it has been analysing the Belt with the intention to make way for future space missions. Ultimately the objective is to make a way through it. The data is currently being analysed with the hope of piercing it for Moon and Mars missions. It is seen as an obstacle, not a necessity.

Should the Space projects continue without a public ethics commission to assess the risks involved. Currently we are dealing with a leaking nuclear plant in Japan due to a earthquake and tsunami. Has the Ring of Fire damage been fully assessed after the last experiments. If they rip a hole in the Van Allen belt what will happen? Nobody seriously knows, but it can’t be good for the environment. Maybe it will rock the Earth off its axis so it swings like a drunk person. Maybe space debris will come hurling down with meteorites of fire or ice. What will the next generation inherit if we remain complacent.

War,War; rumour of a war

BEN QUILTY

Australian Artist, Ben Quilty explores the depth of death, particularly murder, and the brutal assault of hastening it’s arrival. He is on tour through the desolate heartland of emptiness, an intrepid explorer, however climbing Everest is not his goal, his road leads into the deepest darkest terrains of the human experience.

“I am interested in humans”

Quilty was engaged as a War Artist for Afghanistan. The experience brought him face to face with Australians that are endlessly jeopardising their own mortality and live within a violence that has been raging for 18 years. Many have lost their lives and limbs, whist Post Traumatic Stress Disorder has gorged trenches, within the soldiers minds.

The Gallery visitor that has just had a glass of wine over lunch is taken into a war torn Earth, of shores littered with abandoned life-jackets from a fleeing population, naked soldiers shivering with PTSD and picnic spots that robbed Aboriginals of their life, dignity and history.

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The crisis of war washes up on the Grecian shores, as refugees flee their homeland to find safety abroad. The refugees have left all of their belongings and donned  lifejackets to cross, freezing sea’s in the black of the night. The reality of the Syrian crisis has not infiltrated the ‘connected world’ and the lack of response, drew the artist in. He intends to make the public aware of the trauma these young children are experiencing, by publishing a book of artwork by young Syrian victims.

                                     “My work is about how to live in this world”

In his homeland, Quigley explores landscapes of the Australian Genocide against its Aboriginal population. In his Rorschach landscapes of Fairy Bower and Amata, the artist documents a howling dark presence in place of a tribal home where children would have ran happily through the trees and bathed in the waterfall and its streams.

Quilty explores humans wrecking havoc on other humans, because they can, or are obliged to, within the social framework of the current systems. Environment’s may appear inviting and innocent but Quigley examines that which is lurking beneath. There is an anger in Quiltys work, he is hurting and you must too.

Quilty is a proficient landscape and figurative artist that can morph into a nightmarish surrealism. Quilty is battling a demon much larger and more connected than he. He wants justice, the paintings are the evidence and the gallery space is the court room. Quilty has managed to captured the attention of the art public with his profound statements in thickly plastered paint.

Like Van Gogh, he uses sculptural paint and his tortured metamorphosis are in keeping with Brett Whitely and Francis Bacon.

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Quilty’s has witnessed war and it has taken its toll on him, as an artist and a human he has walked amongst the disenfranchised and documents their experience. Where journalists have dropped off , the social issues, like leaves, Quilty has become Australias fourth estate, placing the news, no longer in the paper, but on the walls. Quilty challenges us to look into our own backyard.

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City Oasis

RIPPONLEA GARDENS

The Ripponlea Estate was named after the wife of a local politician Sir Frederick Thomas Sargood. It provided a social setting for his influential guests and bountiful garden for his nine children yet despite the opulent setting that he placed himself within, he supported the factory worker by shortening their day and imposing wage awards.

In the pleasure garden the Sargood era is evoked by the staging of a range of performing arts events including opera, theatre, chamber music and outdoor activities. Culture Victoria

Today within the urban tangle of the traffic riddled roads that engulf the Elsternwick area there is a sanctuary where you can withdraw from the chaos and stroll down the paths of a botanical paradise.  The garden explores the traditions of European landscaping with areas of French aristocratic order, Italian features and the avant-guard bend toward naturalism that softened the rigidity of control.

Sargood worked with his head gardener Adam Anderson to create a space rich with imported plants, an orchid and vegetable produce. William Sangster a landscape designer, that would create the Victorian Gardens, added his vision to the project, which included sweeping areas of lawn, a lake and an entry path lined with Oaks.

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The fashion of the garden that was inspired by the movements of the time and morphed with each new owner is a gem of landscape history that has survived, despite the encroaching suburban sprawl and government acquisitions. What separates it from other public areas is that it was designed to be private and therefore there is an intimacy and charm that is unique.

The predominate aspect at the lake is a small bridge across the water, underlie with lily ponds, brush grass, towering vegetation and flowers it is as picturesque as Monet’s garden. There is also a cave under the waterfall, a small pergola on the waters edge and meandering paths , it re-creates the romantic inclinations of the Pre-Raphaelite movement that were blossoming in England during the 1880’s.

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In 1910, Benjamin Nathan who established Maples, the furniture stores, took over the property, he introduced more native plants into the area, displaying a discernment  to the Australian environment that his predecessors had ignored. When he died, his daughter Louisa (Lulu) took over in the 30’s.

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Art-Deco hedonism that was in full swing, when Lulu took control of the property and brought in some modern appliances and ideals. Featuring a tennis court, swimming pool, boats and a stable of horses on the grounds, the parties of young heiresses would not have been lacking friends.

The grounds attract an assortment of birdlife and the duck society is in full force, providing endless entertainment, there is a resident kookaburra and in its ‘hey-day’ peacocks graced the lawns. People come to the property sporadically and blend into the environment, it invites the quiet visitor.

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Currently the property is in the safe arm of the National Trust with the park open to the public for a small entry fee, the pool side party room is available for hire and hosts local weddings.There is a tea-room with an open fire on cold days and a small nursery to buy some of the specimen’s offshoot’s, including the apple trees. It’s the go-to place for escaping the city drone and being an heiress (heir) for the day.

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Escher X Nendo

Between two worlds

With the St Kilda Festival scheduled on a Sunny Sunday, I set off in the opposite direction of the beach and into town to the Art Gallery, hoping that the festival would draw crowds away from the Escher exhibition. What I wasn’t expecting was a Metro meltdown.

No buses, no trains and no trams! The 246 bus decided to by-pass my area, in an effort to avoid picking up or dropping people off to the bayside shuffle. The trains were off, due to track work and the trams had a ‘disruption’. The lone carrier was the notorious ‘Replacement Bus’ that answers to no schedule.

Boarding the bus required tactful manoeuvring as the commuters jostled for a seat and standing room, the less skilful were left behind. Just as the ‘Replacement Bus’ has no timetable it also has no set route and maundered it’s way through the inner suburban neighbourhood, like a scenic tour.

I passed places where I used to live and Cafes I once frequented and what began as a commute had become a journey, instead of taking 45 minutes to reach my destination, I arrived at the Gallery, after 2 hours. The girl at the ticket desk, attempted to talk me out of buying a ticket, as only an hour of viewing remained. My restraint was thinning.

Despite being rushed through the exhibition by enthusiastic guards saying;

“30 minutes to go and 6 more rooms!”

“20 minutes to go and 4 more rooms!”

“10 minutes to go and 2 more rooms!!”

The one prediction in my favour was that it was not crowded.

The exhibition soothed my fatigue and quickened the light of inspiration that thrives beneath the surface of mediocacy. Escher is a Master printmaker, designer, artist and architect; it is of no surprise that his father was an engineer. The exhibition weaves through the development of his style and skill, which is illustrated within landscapes and town streets, that journal his travels through Europe

The exhibition combines the Art Star with the works Nendo that compliment the show, with ambient structures and light shows. Like an Escher’s design; the art patron is led through props and floor space that dupes the eye and challenges those that are prone to vertigo. The layout of the show combines the physical and visual journey, it incorporates the optical illusion within the simple building blocks of drama. Beautiful work and a brilliantly curated.

Equal access to Education

Jerusha Mather is an enduring voice of equality for disabled students seeking access into courses that they are grossly underrepresented in. Her personal journey began in Sri Lanka, where at birth, the doctors told her parents that she would never walk or talk, later she was officially diagnosed with cerebral palsy. In Australia, she received strenuous and heavy therapy and began to see drastic improvements in her physical heath.

“I was able to walk and talk – although it was not perfect, it was something of a miracle to me.”

At school, she joined the advanced maths group and was invited to participate in a statewide maths tournament. She was a Kwong Lee Dow Scholar at Melbourne University and the first to become social justice captain in high school however during her VCE exams, she was not given appropriate support.

“I was not even offered a scribe which made things challenging for me”

Despite the odds, Mather was accepted into a Biomedical Science Degree at Victoria University, a step closer to fulfilling her plan to become a Doctor.

Gender equality that has enabled women to become medical professionals has given female patients access to female doctors that share similar anatomy and conditions. For disabled patients, the opportunity to benefit from a truly empathetic doctor in a similar situation is highly unlikely.

“I believe it is because of, and not in spite, of my disability that I will make an excellent candidate to become a doctor. I have a sense of empathy unmatched by my colleagues, understanding of life with a chronic health condition and remarkable patience.”

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As a patient, Mather has experienced the spectrum of health care professionals, the good and bad. She is motivated to be part of a generation of doctors where communication and compassion are paramount tools. Mather drew inspiration from the recognised and notable work of Dr Janice Brunstrom; a paediatric neurologist in the USA who has cerebral palsy.

“My career aspirations are also in neurology, though her dedication to her profession, continuous development, and desire to utilise her disability to her advantage have been a true motivational force for me.” Mather

Disability effects a high proportion of the community yet most have been denied pathways to medical training due to both direct and indirect discrimination by educational authorities. In some instances, disability discrimination is overt and direct; in others, it is founded on lack of knowledge of disability issues and inclusion practices. By law, educational facilities are to make ‘Reasonable Adjustments’ for their disabled students however the definition is vague and broad.

Curriculum adaptation needed; curriculum limited; or curriculum needs not addressed. Components of courses or post-qualification employment not accessible HumanRights.gov.au

Not enough has been done regarding curriculum needs and adaptation for people with disability. Academic courses for general qualifications contain areas that such a student with cannot complete or access. This creates difficulties with enrolment (advice and information issues), with granting qualifications or accreditation, and with post-qualification work or profession.

“There are still quite a few internal barriers for someone like me who wants to become a doctor. One of the major barriers is passing the GAMSAT. Now Section 2 is quite straight forward because I can type that section. Nonetheless, section 1 and 3 requires a fair bit of handwriting which is extremely difficult for me to complete. I think there is an unrealistic expectation for people with a physical disability to do it all in their head, which is merely impossible given the nature and complexity of such a test. I do not think that this is the only concern here, every student must undertake an interview, in which I fear the possibility of discrimination.”

Due to ACER, being an independent organization, students with disability do not get appropriate funded disability support to help them prepare for the required tests.  Students with disability require a levelled playing field, where all get the same chance.

“Although the university was very supportive, we did find it difficult, however, to source appropriate academic support staff. Thus, some of my academic support workers came late to class. Some of them did not write quality notes. Some did not facilitate my independence. Some did not understand what was required of them. Admittedly, it was a bit disappointing to see.

One of the most hurtful experiences I have ever had was when a doctor (with a disability) suggested I should be a ‘grocer’. He was the last person I expected to hear it from. I also had a lot of online trolls saying negative things about me. I was bullied a lot by past mentors and GAMSAT tutors.”

Mather believes that there are various specialties that a person with a disability can display excellent competence in and demonstrate safe clinical practices such as pathology, radiology, rehab medicine and general practice.

“I am completing my honors in biomedical sciences at RMIT University this year and am hoping to do further research, but I hope that one day, I will be serving you as a doctor.”

Please sign my petition here to produce an alternative pathway for prospective medical students with disability:

https://www.change.org/p/australian-medical-schools-alternative-entry-scheme-pathway-for-aspiring-medical-students-with-disabilities

Melbourne Tourist tips

Waking up on the Summer morning ,sipping coffee as the birds dart in and out of the garden, is bliss, even if the rest of the day will be spent in an office.

For warm weather the best time to come to Melbourne is between November and April. Australia is not built for cold weather, it is a beach culture, we endure July in houses that are poorly insulated. During Winter, the southerly winds off the South Pole shred through thin walls and coats, but in Summer it’s a cool change that swings a scorching heat into an icy gail. Melbournians wear layers because random weather changes are expected.

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Summer, long weekends and Easter

When the sun is out the locals are basking. There is a mass exodus to the coast in January, Easter and Public Holidays, if your planning an Ocean Road tour during these times book early. Bayside beaches fill up and most Tourists head for St Kilda but South Melbourne and Brighton Beaches are more relaxing.

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Inner city Melbournians, get up early on Saturdays and have breakfast together in Cafes, the best places fill up quickly. On a hot afternoon, the South Melbourne market has  great outdoor seating under a large golden canopy, enjoy Mediterranean cuisine and a glass of wine. Expect to eat dishes from all over the world, each new flood of settlers has brought their food culture with them and each gets its day in the spotlight. Currently everything is ‘infused’ with something Asian.

If the weather turns foul, which means the ‘cool’ (freezing) change came early, head to the NGV Gallery at Federation Square and take in some Australian Art. The City is proud of its Artists but Sport is given most sponsorship. The Art is world-class but under promoted.

The Docklands is a relatively new development with ‘state of the art’ architecture, just behind the Southern Cross Station on Spencer St. It has a futuristic opulence , a skating rink and the Southern Star.

Trains and trams are the main form of transport and very well mapped, it’s easy to follow.The MYKI card works for locals but is not visitor friendly as you have to buy it to get around. Transport inspectors can be a bit intimidating so it’s important to get one. Currently the City has all night transport on Friday and Saturday nights.

Great places for dinner are Smith, Gertrude and Brunswick Streets in Fitzroy. It’s a fabulous block of ambitious ambiance. A historical area where hustlers and artists have had ‘their day’. but currently it is urban cool.

Melbourne has great theatre but if you want to catch a local act for under $30, after dinner there are some quaint venues; The Butterfly Club, La Mama, The Owl and Cat and The Meatworks, (just to name a few) are close to town and have their own character.

Bars are numerous and many are tucked into the lane network that are the life beat of the town, most often decorated with great Street Art. Roof top bars are great on hot nights but most places have outdoor heating when it’s not great.

The highlight of Summer is the Australian Open and the best place to watch it is at Federation Square in a sun-chair. Despite Australian pride of designer beer and class wine most public places are dry. On New Years Eve drinking is banned on public Bayside beaches so cancel the beach party.

Melbourne was once called the ‘Garden State’ as we like our trees. When its too hot for the beach there are great Botanical gardens and the Ripponlea Estate offers shade and a cafe. The changeable weather has created a fashion consious culture and there are plenty of shopping strips and malls to cater for discerning tastes or a bargin.

Summer essentials are thongs and light coat. We all talk about the weather; we complain when it’s hot and when it’s cold. 

Complicit

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Dictionary meaning:

Involved with others in an activity that is unlawful or morally wrong.'the careers of those complicit in the cover up were blighted'

Complicit, a documentary by Heather White and Lynne Zhang, has completed a 2 year journey around the globe. Opening night began in London on March 11 2017 and it screened at the Melbourne Documentary Film Festival on July 14 that year; since then, it has completed its epic run at the Friday Harbor Film Festival, Washington this month. It took 3 years to make and has earned 16 prestiges awards. The story is told by the victims.

We heard about a young man suffering from occupational leukemia who had decided to assist others also suffering from occupational diseases. We first met Yi Yeting—COMPLICIT’S main protagonist—when he invited us to join him on a visit to Ming Kunpeng, a 26 year-old former worker with late-stage occupational leukemia.

Kunpeng had developed cancer linked to a cleaning solvent containing benzene, a known carcinogen. He entered the factory when he was 19 years old and—by age 22—was diagnosed with leukemia. During our many interviews with electronics workers as well as those from other industries, we discovered that the incubation period for occupational leukemia in China’s electronics factories typically occurred after 2-3 years of exposure in the workplace.

For 18 months, Kunpeng’s family had unsuccessfully tried to get his medical expenses paid for by his employer, Dutch semiconductor manufacturer—one of Holland’s largest producers of components and semiconductor equipment for the electronics industry. The family and the company were at a stalemate when we arrived in 2013.

Yi was helping Kunpeng’s family petition for an acceptable settlement . They weren’t able to pay for chemo or surgeries without the company’s support, which eventually they received. Ultimately, Yi’s help led to a much higher settlement agreement (US $100,000) than the industry average. However, early treatment is critical, and doctors said Kunpeng had no chance of survival. Not wanting to be a burden on his family he committed suicide in 2015.’ H.White

Kunpeng is only one of the young men and women whose life is cut down. The gadget they were making will be upgraded for newer version in the same time that they receive their diagnoses. One persons smart purchase is another death sentence, how can this quandary be understood within a moral and economical context.

Is moral responsibility a luxury we can’t afford

In a world rich in technology have we become so poor in Spirit that we are scrimping to find time for each other, are we slaves to money and has money made us so poor that we can’t see the suffering anymore, or even care. What does it matter if we can park a car in front of a big house if the water and air is toxic. Chinas problems today are our problems tomorrow, it is the investing countries that have set the standard that our children will inherit.

‘Because you say, ‘I’m rich; I have become wealthy and need nothing,’ and you don’t know that you are wretched, pitiful, poor, blind, and naked, I advise you to buy from Me gold refined in the fire so that you may be rich, white clothes so that you may be dressed and your shameful nakedness not be exposed, and ointment to spread on your eyes so that you may see’  Revelation 3

How can someone believe they are wealthy, when they can’t afford morality; to think they are free when money has bound them to silence.

COMPLICIT was filmed in several provinces in China— something we cannot imagine trying to do under today’s Chinese government crackdown on civil society. We also filmed in the U.S. and Netherlands. I decided the public interest would be better served by a film which powerfully conveyed all that we discovered, and put the book on hold to make a feature length documentary.

I hope that after watching COMPLICIT viewers will feel a sense of increased connection to the workers that make the devices we as consumers can’t live without, and understand the risks associated with chemicals used during their production.’ H White

As I complete this article and read todays news, the headline reads:

‘Teenage girl left with a screw lodged in her cheek after blow dart attack …narrowly avoided losing her eye.’ 9News

We have lowered our standards for economic wealth and our social environment is in tatters. It’s never to late to turn back and amend our wrongs. We have to boycott companies and banks that don’t merit our business.

 

WATCH NOW

 

Prizes:

*Grand Jury Prize, Best Documentary Paris Alliance Cine – Human Rights Film Festival; Best Documentary Life After Oil, Sardinia, Italy;Best Documentary Workers Unite Film Festival NYC * “DOXA”  Documentary Film Festival Finalist, Best Female – Directed/  *”Best Social Media Award” 

Raw Science Film Festival/ * International Labor Film Festival Sao Paolo Brazil, Luis Espinal Prize/ award* semi-finalist: Hollywood International Independent Documentary Film Festival 

 OFFICIAL SELECTIONS:

 Human Rights Watch Film Festival – London, New York, TIFF/ Toronto, San Diego, Amsterdam / Geneva Switzerland Human Rights Film Festival / Melbourne Australia Documentary Film Festival//Solidarity Tel Aviv Human Rights Film Festival/ ACT Human Rights Film Festival, Colorado/  Sedona International Film Festival/  Belgian Millennial Film Festival/ Addis International Film Festival, Ethiopia/  New York Workers Unite Film Festival / 

SF-DOCFest San Francisco / Human Rights Nights, Bologna, Italy/ DocuDays – Documentary Film Festival, Kiev/Friday Harbor Film Festival/Galway Film Fleadh, Galway and Belfast Cinemagic –  Ireland

 

EUPHORIA Total Giovanni

“Melbourne, you give me a warm fuzzy feeling… ”.

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Total Giovanni honed in on the restless feet of the patrons in the packed Croxton Bandroom on a balmy Thursday night in Melbourne. Arriving to the thumping selections of DJ Sarah and Kovacs, the room was packed wall to wall, and elevated in the bleachers, to move their bodies to Total Giovanni’s latest offering.

Euphoria, album name and apt description of the evening, proved a memorable display of dance music at it’s convergence with songwriting.

Giving the sound engineer for the evening an absolute work out. All levels were set for the hit-hat, kicks and snare drums to snap the crowd into action. The line at the bar was enough to reroute people back to the dance floor so everyone was aware of where their attention should sit.

Moving through songs in quick succession – enough time was able to land the refrain of Falling Away on the crowd. As the crowd bellowed “ You know that I did wrong”, hands were thrown in the air and shoulders made excellent vantage points to catch a glimpse of the chemistry that forged the bands presence in all directions.

The album’s translation on stage is flawless. Having only been released weeks prior – I could only imagine how much time the crowd may have given to digest the album before embracing it’s washes of psychedelia and echoing vocals in the pit of the Croxton. Melbourne’s fondness for nurturing home grown talent was met with appreciation.

Total Giovanni began their gigging careers embracing the stage as much the studio, blurring the experience you’d have in your headphones with what you would get with a night out. Letting the crowd know they used to frequent the area around Northcote and Thornbury, and the state of the Croxton from the years gone by, the marriage between music and community seemed as apparent as the bright lights in front of us.

Melbourne’s continuing appetite for the fruits of dance music production enable it to produce some of the best and widely influenced sounds on the market. The balearic melodies and soaring choruses are grounded by the tribalism of kick drums keeping everyone in time to be taken through the journey.

The band finished on the uncompromising deep house jam Akila, taking everyone through the jungle that they created over their hour holding down the bandroom – everyone receiving the signal to create the stampede under their feet. Two encores later and the familiar ringing of ears and wide smiles across faces – Total Giovanni left a considerable impression and a fine tracklist for the upcoming summer.

Review &  Photographs by Nakul V

‘I remember when I was young and I was happy’

“We played your song to John Lee Hooker, and he liked it” Matt Taylor remembers being told.

Chain performing in Melbourne at the Sidney Myer Music Bowl in the 80’s

In 1971 Sunbury, tried to deliver a concert like Woodstock, but apart from being an outdoor concert, the two had little in common and most sources will confer that theirs was a ‘Love-in’ and ours was a ‘Drink-on’; yet for $1 you could enjoy Chain and Phil Manning blowing the breeze with cool blues and sweet guitar. Decades later they are together in Chain, playing in St Kilda at MEMO, just doing their stuff…living music.

Chain is like a Classic Harley Davidson, it doesn’t grow old but rather more impressive. I don’t doubt that the crowd on Friday night were just as alive to the music as they could ever have been. The artists ability hadn’t dimmed nor had their creativity faded, they were effortless, clean sound welded together with musical precision . They are not an old band regurgitating one hit wonders, this is a band  of genuine artists perfecting their craft.

There was a mixed crowd of those that grew up with the music and younger folk that were new to it.

“It’s not an age thing man, you love them for their music and like them because they are good at their music” Josh (20something)

Matt Taylors relaxed and inviting stage presence between songs gave the night an unexpected charm. The session closed with ‘I remember when I was young’ and it set the crowd alight.

At MEMO StKilda