Ramsay Art Prize finalists

FullSizeRender-75
SA BIKE TOURS

 

FullSizeRender-60Art is language and in many countries pictures are a part of dialogue. The inviting interiors of Cue, De Souza, Hughes and Selleck examine the priorities of pretext and invite interactive, participation. The exhibition moves away from traditional painting and allows a multi-media vioce.

Let’s meet the ART

GEORGINA CUE

The Living room, sets an exotic stage for a classical diva in what appears like an ancient setting. The bold artwork seems to have a Cubist influence with an early Century  twist. Both powerful and beautiful, the photographic work ,an inkjet on rag-paper, is a central work in the exhibition.

REBECCA SELLECK

Lapin Plague, 2016

This is an engaging installation, on many levels, firstly it invites you into it. It is a homely domestic scene with what appears to be, occupied by small rabbits. On closer examination the (heated) rabbit skins have no heads, therefore they are not alive. ‘Outside of the cage’, it would appear that the rabbits and humans are enjoying a shared space and when you touch the skins they are robust and warm, but they are not.

KEG DE SOUZA

We built this city

This impressive structure is made from salvaged tents and plaid laundry bags. Within the interior is a communal area with milk crates to sit on and books on the history of the Tent Embassy in Canberra. Coming off the main ‘room’ are an array of small tent rooms. It is the perfect Festival space, providing your guests have house manners, better than a Tipi because there are rooms, however a tad flammable.

The concept of tribe and tent and engaging in the environment as opposed to destroying it, is an old age concept, in Western Culture according to the old testament, the Christian/ Jewish God lived in a tent.

The added beauty whist in the tent is listening to the haunting sound of traditional Fado singers, from the outside film by Jacobus Capon that examines memories of a home gone. The Australian factor is that we came as refugees, yet our memories resonate. Are we adapting or are we all in a state of diaspora.

 JACOBUS CAPONE

FullSizeRender-63

Forgiving night for day.

Multiple films projected  onto the Art Gallery wall are of lone characters watching the dawn above the rooftops of Lisbon, Portugal. Capone examines the state of nostalgia. It is an absorbing work, visually engaging as the sound-scape floods the skies above the sleeping town.

NATALYA HUGHES

DSC03803

All of Your Women and Some of Mine, 2016

An interior space with a strong Mattise influence, using decorative abstract contrasts in colour and pattern, appearing like a digital construct..

TONY ALBERT

DSC03809

Exotica (Mid Century Modern)

Albert’s political comment on the state of our country as an ashtray, is in dire contrast of the pristine land that was taken from its previous owners.

‘Albert has developed a universal language that seeks to rewrite historical mistruths and injustice.’

SARAH CONTOS

FullSizeRender-66The Long Kiss Goodbye

‘The winning work of art is titled Sarah Contos Presents: The Long Kiss Goodbye and brings together personal remnants of Contos’ practice from the last four years’. Contos was awarded $100,000 for this mixed medium collaged ‘quilt’.

 

April Forward

 

 

 

 

 

escapegoat.com.au

Includes kangaroos, koalas, bike hire, pick ups from Adelaide and a stack more.