Category Archives: MICF Comedy

On the Clock

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As the MICF circus wraps up, 2 clowns sent it off with a bang.

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The afternoon show at ACMI was the icing on the Festival, after a series of ‘Stand up’ wit and profound observations we discover a new territory. These Guys have nothing to say, it’s what they do that suspends reality and slaps you in the face. Throughout  the performance the unexpected continued to surface from beneath the banal.

Confused? Good , that’s a great start.

You will be bewitched within a Dadaists performance of an office mundane that imploded into the wild and creative instinct of lifes little dramas. Bit by bit they shatter through reality to reveal a seething internal existence with comic twists.

Intrigued? I hope so, it is an intriguing experience.

No matter how sober you think you are, they will pick up your solid piece of reality and twist it until you feel entirely happy. Like an animal can become a chair, a thing can become an animal. They are very clever Consultation Specialists.

Welcome to Ruck’s Leather Interiors starring Gareth Grubb (Trygve Wakenshaw) and Dennis Chang (Bernie Duncan) as Performance Artists.

Bernie Duncan

FullSizeRender-20 Where did you Guys train? MP

“I didn’t do training but Ttygve went to Gaulier, a French Clown School in Paris.”

How did you get into this? MP

“I always made theatre, we started a Company (Theatre Beating) about 14 years ago, and we made stuff we liked”

Audience Responce

“I never dreamed that I would ever see two people entertain me from the time they started right up until the very end. Everything that happened was totally unexpected , it shocked me, it was so funny and you never knew what was coming and everything that came was brilliant.”

Comic Maverick and Ideas Man

This Charming Man, the very affable Matt Stewart draws in a full house as he gives a ‘Dry’ dose of ‘Very Dry’ at The Chinese Museum in Chinatown. He has taken his routine out of The Fringe and into the Melbourne International Comedy Festival, for a fresh round of laughs.

Getting to the venue is half the adventure, up the street hustle of Chinatown and into the historic site that sets the tone for the nights event. Stewart is unassuming, able to ‘break your guard’ whist never pouncing..

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The key to his art is his unflinching delivery as he stares into the bright lights that veil the audience. He promises to give ‘A pretty Good Show ‘ It’s most likely one of the top ‘Pretty Good Shows’ on the circuit.

Even though Matt’s not your mate, he could be. With comic cool he creates a friendly rapport as he spins absurd Aussie tales and butters it with wacky wisdom. He is edgy with a blunt delivery. ,

As a Caped Crusader, Stewarts superpower is to engage, indulge and transfix.

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‘Pretty Dry’ : CHINESE MUSEUM Mar 30- Apr 23 8.30pm

3 Mates & a glass of wine at MICF

The MICF Show is in town and Three Course Comedy is the show-bag of comic treats. Each night 3 Comedians take the stage to give you a sample size dish of their material. It’s a great way to be exposed to a range of comic styles, with a line up that changes each night.

MP went to the very ambient Fort Delta Gallery  in Howey Place to be amused by Tim Hewitt, Adam Knox and Michael Shafer

Tim Hewitt warms up the Crowd, as first up in ‘Three Course’ line-up.

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Hewitt is soaking in the City culture of MICF after doing the ‘hard yards’ in the parochial wilderness of Pokies Den’s and Greyhounds. The comics life may be rich in experience but it may not afford holidays to remote islands with Supermodels. There are compromises.

Hewitt has a personal warmth that endears the crowd, his suburban tales ‘touch a nerve’ and there are outbursts of laughter throughout the room.

With two comedians to follow, the routine manoeuvres speedily through his visual landscapes.

Also performing ‘Comedy Zone’ on the MICF circuit.

‘Knoxie’ is next

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Knox brings a mix of cultural anomalies to his performance wrapping his clever wit around some pearls of insight. He wavers between action, concern and an offhand remarks. He establishes an instant rapport with the audience before entering his comfort zone, once there, he opens up to the deeper issues that concern him, like a mate does.

Knox is also a part of Chimp Cop Forever

Michael Shafer

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Shafer breaks away from his sellout solo performance Jewis-ish to join his mates in this 3 course round-up. His routine is a bite sized, sped up sample of what audiences can expect to hear at the full show. Shafer continues to polish his work with diligent effort, comedy is not a vacation it’s his vocation.

Shafer manages to lead the course through the choppy waves of perception and throws out a line to the women in the audience, those that may be floundering in the male shallows.

Shafar on fire in Jewish-ish

MELBOURNE INTERNATIONAL COMEDY FESTIVAL review

Michael Shafar held his own at the momentous Trades Hall, that scrubbed up nicely, awash in neon for the MICF 2017.

Shafar is an eclectic blend of cultural experiences that have shaped and unshaped him. He is sorta Jewish, sorta Aussie,sorta cool, sorta nerd, sorta serious but definitely funny. His shows are selling out because the word is out, Shafar ‘nailed it’ this year.

Shafar examines his Jew-ish-ness with perplexed wonder. His grandfather was a Holocaust survivor and its more the ‘religousness’ than the faith that is up for review. He has a wealth of material to draw from that keeps the audience in stiches through out the performance. The crowd loved him and there was a reluctance for the show to end

MICHAEL SHAFAR is Jewish-ish at TRADES HALL Mar 30-Apr 23 8.30pm (no Wed & 7.30 on Sun)

An interview with Michael Shafar

“I used to encounter a lot of anti-Semitism when I was playing football for my Jewish school. I played from the ages of 12-16 and it was interesting and sad to encounter kids making anti-Semitic comments. I’m interested in whether those kids actually understood what they were saying, or if they were just repeating taunts that they had heard from their surroundings.”

How do you feel about your performance this year?

So far I’ve been really happy with the shows. I’ve changed up a lot of the content since I last performed it in Perth and have also changed the overall structure to make the theme about being culturally Jewish a lot stronger. I think it’s definitely working better now.

What type of reaction have you experienced from Jewish-ish?

So far the reactions have been great. A lot of people have messaged me to let me know they enjoyed the show. It’s interesting to me how different people tweet different jokes to me from the show, so it’s nice that there are a lot of different jokes in there that people remember and relate to.

What has been your most profound experience? MP

“The Comedians I met in the US were young, emerging comics who taught me a lot about work ethic. In the US, comedians are often gigging 15 times per week, which is why their development is accelerated. I tried to absorb that work ethic as much as possible so I try to gig as much as possible around Melbourne.”

Do Comedians support each other?

“Whenever there is a controversy about something that a comedian has said or done, comedians tend to help each other through it.”

Is MICF different for you this year?

It’s different because it’s my first solo show, so it’s definitely a lot busier than any other year. I also need to manage my time a bit better than previous years, making sure I still get enough sleep, eat well and exercise (which I have failed to do for the first few nights, so hopefully I get more disciplined!)

I (honestly) love you.

I (honestly) Love You at The National 

REVIEW

Have you ever been on a date from Hell and loved it?

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There are three members in this relationship, him her and the ‘vicious truth’. The great accident of love has a few battles to get through, before the home run. The first awkward encounter is to meet the parents and then the friends. 

The show digs into the trenches, of love for the long-term, despite its personal cost. 

“She plays netball …I have to go to every F******* game”

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The play explores the sharp cut of truth in a dishonest world. How can we hold down a relationship or job, if the real shatters our delusions? It’s a clever script that breaks down the comfort zones, with large slaps of humour.

“It was very entertaining, the humour was quite witty and unpredictable….I laughed most of the way through it” John (audience)

“I loved the energy that the actors had, the sound effects, audience involvement and the six part bit.” Gilly (audience)  

“An interesting insight into relationships and how hard we try to make everyone around us happy when in doing so it actually makes everyone, including ourselves unhappy ……interesting.” Alannah (audience)


Interview with Damon Lockwood.

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“I wondered if being able to tell the truth to your partner at all times would be the answer to the perfect relationship, and this play is the result.”

What keeps you honest (honestly)? MP

‘The new app that allows my partner to know where I am at all times, by where my phone is at. Once again, thank you technology.’

Why did you choose this show? What’s the story behind it?

‘I didn’t go to the best of schools as a child, so when I ran into an old school friend and he reminded me of a truly filthy joke we used to tell each other in Grade 4, something about Pinocchio being honest in the toy box, the idea for the play sprang into my head and the script flowed out of me. Crappy education has given me so much…’

What is your main talent? MP

‘I keep striving to make my main talent writing …you can’t polish a turd’… delightful, but so apt when it comes to creating great theatre. So I am saying I would like writing to be my main talent but it really is a life-long path.

Also, I make a seriously good omelette.

What are the ingredients to a great show?

A good script helps a lot, like, a lot. For me, a show that deeply considers the audience’s enjoyment and not just their ‘luck’ at witnessing some supposed brilliance on stage I feel is also important. Great actors don’t hurt either, and did I say a great script I think is really important?’

What impressed you about the Edinburgh Festival?

‘The sheer scale of the thing was redonkulous, but the Perth Fringe Guide is beginning to have eerily similar weight and look to it as the Edinburgh one.

The energy on the back streets is electrifying. The main press event was hilarious, where you line up for an hour and a half to speak to a journalist for three minutes who already has tickets to La Soiree on the one night they might have been able to come to your show.

It’s true, Scottish people truly are waterproof – they can stand in the rain and simply not get wet! Survival mutation born from centuries of damp weather, I guess.

What do you imagine your future to be? MP

Man, that is a heck of a question! Seeing as there are no jobs in the theatre in Perth … then I’m pretty excited about a long career in bus driving. And I’ll always write, I think, I do love the endless bloody tangle with the blank page and those concrete words that sometimes glow.

What keeps you motivated? MP

‘I think the joy I receive creating work that allows audiences to witness other great actors ply their trade is very rewarding. There are so many talented actors out there who through bad timing or sheer dire fate don’t get the opportunities they deserve. At least this way I am able to give them an impressive 11% cut of the door takings’

What are the ingredients for a great relationship?

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‘… in all extreme  likelihood I will never be a relationships counsellor, I would say… who knows?

Maybe a couple that complement each other perhaps, so that between the two of you there’s a fighting chance you may have all the aspects of this life thing somewhat covered (like I do all the cooking and cleaning and gardening and my partner can answer the door when there’s some delivery guy there that I can’t handle making small talk with)?

And great sex. Oh, and honesty! Of course, yes, honesty, on all things… some things… on some most things… … … sometimes…’

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I (honestly) Love You has played at Edinburgh Fringe and New York Fringe achieving great reviews. The show has Melbourne actors, Jimmy James Eaton and George Gayler in the lead roles with Damon Lockwood is the playwright and director (his show HorseHead was on at La Mama in 2014).

Venue: The National Theatre

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13 – 16 April 2016
7.30pm
Tickets: $25
Bookings: http://www.nationaltheatre.org.au