Rapid urban development cast’s new shadows on the streets of old St Kilda, yet shreds of its artistic culture remain.
106 Barkley Street has been Tamar Dolev’s studio for 8 years, she uses ‘found’ objects to create. Each surface and shape is carefully considered before being morphed into the voice of the quietly spoken Artist.
The works are bursting with wild vitality, shes uses colour like an electric force, there is a vibrant sense of movement and emotion similar to that of Aboriginal Artist HU Wedge.
Dolev also enjoys the effects of shadows.
“Whatever wall it goes on, the piece changes. if it’s a blue or black wall, it adds and evolves by the shadows it makes.”
Self Portrait 2015 is full of holes, it is a chameleon blending into its environment. It is partly her and partly the surroundings, that dictate its nature.
‘Billy’s Adventure’ 2015, is a long narrow work that invites the eye to travel through the composition as a narrative. The concept of an art piece outside the ‘eye of a camera’ explores our natural visage, a technique familiar to Chinese scrolls.
Dolev’s journeys are captured in her haunting silent photography of the place outside.
Both of her parents are Architects and her fascination with buildings seeps into her art. She is currently pre-occupied with her sculptures of dwellings made from bay-side spillage.
melbourne press 