Tag Archives: St Kilda

Countdown Star

 

 

Renee Geyer

Australian jazz and soul legend, Renee Geyer has maintained a career that has spanned over 40 years. Her resonating voice has withstood the revolving door of the season and carved itself into a shaft of solid talent. She sprouted in the days of Countdown  under the wing of Mollie Meldrum, when Australian Music was finding itself in the awkward 70’s. Since then she has performed with Joe Cocker, Stevie Wonder and Caka Kahn.

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Renee Geyer interview by Molly Meldrum on Countdown

‘Heading in the Right Direction’ was the cornerstone of her International rise in R & B circles despite her Australian origin. Her powerful raspy sound demanded renown and in 2005 Geyer was inducted into the ARIA Hall Of Fame.

‘Renée Geyer had started out a sensual blues belter. Now she has evolved into a bona fide music icon’

  Norman Gunstan interview Geyer at end of act

The further one digs into the Artist’s rise, Melbourne’s musical roots are unearthed and reveal its early adolescence. The heavily populated music scene that is bursting through the internet daily has replaced the sleepy town that waited a week to watch 30 minutes of Countdown on the ABC, for the latest music news.

The unbridled talent of the local star walks hand-in hand with her controversial mentions in the news, from careless driving to public tantrums, she is a formidable Melbourne force.

Sat Aug 5;  8pm – MEMO Music Hall St Kilda  7.30pm, 

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HELPING LOCAL FAMILIES

donate@stkilda.org

 

 

Coppelia in St Kilda

Coppelia may be as ‘pretty as a picture’ but she has no soul, to live she will need to suck the life out of Franz. Swanilda is his true love, but her passion startles the young man who would prefer his ideal. Fortunately she is persistent.

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It’s a dance off. Swanilda can out dance her peers and Franz is more talented than his, it’s a ‘match made in Heaven’ but fate has a turn. Before the two amazing movers are joined, (which could lead to a standing ovation) evil raises his ugly head in the guise of a mad magician.

It’s a three-part play, with a haunting centre. Some toys can be very intimidating, some boys can be very threatening and some girls can be very curious. It makes great drama, within a comic text. It was the ballet that saved itself.

‘ the plot reads like a modern horror movie, Saint-Leon’s production was a clever commentary on the dangers of infatuation. When the ballet finally opened in Paris in May 1870 it seemed. with its freshness and vitality, as if the art had been reborn in France.Judith Steeh

It was the ballet revival that kept the flame alight in Europe, until the Ballet Russes set it ablaze. Essentially it was designed to excel the ballerina for the delight of its male patrons (like Degas) but was modernised by Ogilvie. The male parts that were performed by ballerinas, were handed over to men and choreographed into the leaps and athleticism, that it is today. It is beautiful ballet with amazing dancing.

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Dimity Azoury as Swanilda & Jarryd Madden as Franz at Saturday Matinee

‘We are delighted to bring back this production, which has long been considered a jewel of The Australian Ballet’s repertoire,’ David McAllister ,Artistic Director

The Palais adds ambience of this period piece, it was first performed on its stage in 1962. The charm of another era resonates through the Saturday matinée, the wood paneling, marble columns, leather seats and ‘cash only’ bars and kiosks. It’s beautiful to walk out its doors and believe the world has not changed on the St Kilda Esplanade.

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Take the journey into enchantment.

 

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Sept 23- Oct 1

Contrasts

Rapid urban development cast’s new shadows on the streets of old St Kilda, yet shreds of its artistic culture remain.

106 Barkley Street has been Tamar Dolev’s studio for 8 years, she uses ‘found’ objects to create. Each surface and shape is carefully considered before being morphed into the voice of the quietly spoken Artist.

The works are bursting with wild vitality, shes uses colour like an electric force, there is a vibrant sense of movement and emotion similar to that of Aboriginal Artist HU Wedge.

 

Dolev also enjoys the effects of shadows.

“Whatever wall it goes on, the piece changes. if it’s a blue or black wall, it adds and evolves by the shadows it makes.”

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Self Portrait 2015

Self Portrait 2015 is full of holes, it is a chameleon blending into its environment. It is partly her and partly the surroundings, that dictate its nature.

 

 

‘Billy’s Adventure’ 2015, is a long narrow work that invites the eye to travel through the composition as a narrative. The concept of an art piece outside the ‘eye of a camera’ explores our natural visage, a technique familiar to Chinese scrolls.

Dolev’s journeys are captured in her haunting silent photography of the place outside.

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Both of her parents are Architects and her fascination with buildings seeps into her art. She is currently pre-occupied with her sculptures of dwellings made from bay-side spillage.

 

Artists Studio Gallery / 106 Barkly St, St Kilda; next to Mirka Mora lane.

Opening Event Aug 6 3-5pm

 Aug 13, 14 and 20th