Category Archives: Melbourne News

1959 in Melbourne

They start with something lovely and end with something ugly.


The first TV broadcast in Melbourne was in 1959. It was an opportunity to watch the world from within the family lounge room. Network crews were kept busy with the the Crusaders roadshow; the arrival and antics of American movie ‘stars’, shooting a major film and footy fans witnessed  Melbourne defeat Essendon, at the VFL grand final.

At the Sidney Myer Music Bowl, on what seemed like a balmy night, the great Billy Graham gave a sermon on ‘Truth’. After the opening prayer, he  read a letter from a local woman; she wrote:

“There are scores of people whose lives are empty, I know mine was till Friday night. There are hundreds of ‘Bodgies and Widgies’ in Melbourne with empty lives.Would it be possible to hold a special Bodgies and Widgies meeting somewhere central. For sure your message would be great value to all of us.”

The youth subculture in Melbourne during the 50’s were the Bodgies and Widgies, they were ‘rockabillie rebels’, operating in the alternative fringes of urban society.

Graham’s service explored the relationship between Truth and Freedom.

'... we're never in bondage to any man!    ...

Verily, Verily , I say to you, who ever has committed sin is 
the servant of sin.'

As Graham preached to packed audiences this historic year, an all star cast  of actors, that included Natalie Wood,Gregory Peck, Anthony Perkins and Fred Astaire , were filming On the Beach at the Mornington Peninsular, directed by Stanley Kramer (Man who came to Dinner). The storyline was set at the tail-end of WW3, an Atom bomb had been released and dangerous vapours had poisoned the earths air. Melbourne was the most distant outpost awaiting its contamination. Busy streets were deserted as the remnant of survivors, gathered together on the beach.

There is some fabulous footage of Bourke Street with locals riding bikes, old trams and a galloping horse. Outside the old Museum ( the State Library), the Salvation Army had hung a banner ,that states ‘There is still time Brother’. In the later part of the film these street are deserted.   (ironic of 2020)

1959 also marked the beginning of the ‘Space Race’ as Russia launched a rocket that they claimed hit the moon. This would mark the beginning of satillites and space trash fuelled with uranium falling into waterways around the Earth. (wormwood)

70 years can be a bench mark of a generation. 1959 was the beginning of TV for Melbourne, an electronic guest that moved in and became the focal point of the family. Screens have morphed from a lamb into a dragon, from Wheel of Fortune shows to Big Brother. Video games started with Donkey Com and Mario Bros and led to Assassin and now Doom Eternal.

Doom offers its players a bloodbath of pathological cruelty. Gamers are led to believe that Hell can be won, not understanding that they are the fodder. A fun lie, for some.

TV and its monitor family have enticed us to buy products such a cigarettes, soft drinks, and fast food. It has hosted pageants that set a beauty standard and morphed into pornography. Crime and brutal murders, hold prime time viewing and is often directed toward women. It sells magic to children and witchcraft to adults. Oddly people don’t question it, in-fact it’s not ‘Truth’ or ‘News’ until it’s on TV. The other monitors have taken over our money, in 1959 people were paid in cash. ‘Artificial Intelligence’ has become the new toy and if the current trend persists it will become the master. As in George Orwell’s 1984 (made in 1949) and Stanley Kubrick’s 2001 (made in 1968) the monitors are watching us.

"Dave , what are you doing Dave?" Computer asking the surviving astronaut.

‘…so that the image of the beast could both speak and cause whoever would not worship the image of the beast to be killed.’

Be kind,Rewind.


Dictionary meaning:

Involved with others in an activity that is unlawful or morally wrong.'the careers of those complicit in the cover up were blighted'

Complicit, a documentary by Heather White and Lynne Zhang, has completed a 2 year journey around the globe. Opening night began in London on March 11 2017 and it screened at the Melbourne Documentary Film Festival on July 14 that year; since then, it has completed its epic run at the Friday Harbor Film Festival, Washington this month. It took 3 years to make and has earned 16 prestiges awards. The story is told by the victims.

We heard about a young man suffering from occupational leukemia who had decided to assist others also suffering from occupational diseases. We first met Yi Yeting—COMPLICIT’S main protagonist—when he invited us to join him on a visit to Ming Kunpeng, a 26 year-old former worker with late-stage occupational leukemia.

Kunpeng had developed cancer linked to a cleaning solvent containing benzene, a known carcinogen. He entered the factory when he was 19 years old and—by age 22—was diagnosed with leukemia. During our many interviews with electronics workers as well as those from other industries, we discovered that the incubation period for occupational leukemia in China’s electronics factories typically occurred after 2-3 years of exposure in the workplace.

For 18 months, Kunpeng’s family had unsuccessfully tried to get his medical expenses paid for by his employer, Dutch semiconductor manufacturer—one of Holland’s largest producers of components and semiconductor equipment for the electronics industry. The family and the company were at a stalemate when we arrived in 2013.

Yi was helping Kunpeng’s family petition for an acceptable settlement . They weren’t able to pay for chemo or surgeries without the company’s support, which eventually they received. Ultimately, Yi’s help led to a much higher settlement agreement (US $100,000) than the industry average. However, early treatment is critical, and doctors said Kunpeng had no chance of survival. Not wanting to be a burden on his family he committed suicide in 2015.’ H.White

Kunpeng is only one of the young men and women whose life is cut down. The gadget they were making will be upgraded for newer version in the same time that they receive their diagnoses. One persons smart purchase is another death sentence, how can this quandary be understood within a moral and economical context.

Is moral responsibility a luxury we can’t afford

In a world rich in technology have we become so poor in Spirit that we are scrimping to find time for each other, are we slaves to money and has money made us so poor that we can’t see the suffering anymore, or even care. What does it matter if we can park a car in front of a big house if the water and air is toxic. Chinas problems today are our problems tomorrow, it is the investing countries that have set the standard that our children will inherit.

‘Because you say, ‘I’m rich; I have become wealthy and need nothing,’ and you don’t know that you are wretched, pitiful, poor, blind, and naked, I advise you to buy from Me gold refined in the fire so that you may be rich, white clothes so that you may be dressed and your shameful nakedness not be exposed, and ointment to spread on your eyes so that you may see’  Revelation 3

How can someone believe they are wealthy, when they can’t afford morality; to think they are free when money has bound them to silence.

COMPLICIT was filmed in several provinces in China— something we cannot imagine trying to do under today’s Chinese government crackdown on civil society. We also filmed in the U.S. and Netherlands. I decided the public interest would be better served by a film which powerfully conveyed all that we discovered, and put the book on hold to make a feature length documentary.

I hope that after watching COMPLICIT viewers will feel a sense of increased connection to the workers that make the devices we as consumers can’t live without, and understand the risks associated with chemicals used during their production.’ H White

As I complete this article and read todays news, the headline reads:

‘Teenage girl left with a screw lodged in her cheek after blow dart attack …narrowly avoided losing her eye.’ 9News

We have lowered our standards for economic wealth and our social environment is in tatters. It’s never to late to turn back and amend our wrongs. We have to boycott companies and banks that don’t merit our business.





*Grand Jury Prize, Best Documentary Paris Alliance Cine – Human Rights Film Festival; Best Documentary Life After Oil, Sardinia, Italy;Best Documentary Workers Unite Film Festival NYC * “DOXA”  Documentary Film Festival Finalist, Best Female – Directed/  *”Best Social Media Award” 

Raw Science Film Festival/ * International Labor Film Festival Sao Paolo Brazil, Luis Espinal Prize/ award* semi-finalist: Hollywood International Independent Documentary Film Festival 


 Human Rights Watch Film Festival – London, New York, TIFF/ Toronto, San Diego, Amsterdam / Geneva Switzerland Human Rights Film Festival / Melbourne Australia Documentary Film Festival//Solidarity Tel Aviv Human Rights Film Festival/ ACT Human Rights Film Festival, Colorado/  Sedona International Film Festival/  Belgian Millennial Film Festival/ Addis International Film Festival, Ethiopia/  New York Workers Unite Film Festival / 

SF-DOCFest San Francisco / Human Rights Nights, Bologna, Italy/ DocuDays – Documentary Film Festival, Kiev/Friday Harbor Film Festival/Galway Film Fleadh, Galway and Belfast Cinemagic –  Ireland