What is Treason?…………Google search result: Treason definition – The betrayal of someones Trust or Confidence. The Crime of Betraying ones own Country.
What is The REASON?
Who is WHO? Who pays WHO? ………… Google search result: China is paying in the second highest sum at an unchanged $57.4 million.
Why Curfews are applied in political take-overs? …………Google search result:breaking curfew is a crime. So, a violation of the same is punishable by jail time, fines, probation, or community service. The severity of the punishment all boils down to the government agency charged with enforcing the law.
What is The REASON?
Why are journalists failing to debate issues? ………… Google search result: Mass media earn money through the sale of advertising time. Advertisements are embedded in every mass media communication.
What is The REASON?
Why are medical staff and teachers targeted in unstable governments?…………Google search result? This meant teachers, lawyers, doctors, and clergy were the targets of the regime. Even people wearing glasses were the target of Pol Pot’s reign of terror.
What is The REASON?
Why so many new laws in such a short time?…………Google search result? Victorian new laws penalty for non compliance , fines up to $21,800 and $109,000.
What is The REASON?
Whist Communist warships surround our country, why is the social focus on him and her pronouns?………… Google search result? While refusing to answer is certainly effective, an even better response might be: “My pronouns are grammatically and biologically correct
What is The REASON?
Do governments shoot people? ………… Google search result? Philippines-president-duterte-shoot-to-kill-order-pandemic for non compliance.
What is The REASON?
Are Australians free? ………… Google search result? The right to freedom of movement includes the right to move freely within a country for those who are lawfully within the country, the right to leave any country and the right to enter a country of which you are a citizen. The right may be restricted in certain circumstances.
What is The REASON?
Why are people silent when tyranny abounds? ………… Google searchresult? All tyranny needs to gain a foothold is for people of good conscience to remain silent.
What is The REASON?
Why people die for freedom, when others comply it away?………… Google search result? Some people willingly risk or give up their lives for something they deeply believe in, for instance standing up to a dictator.
What is The REASON?
Why did I write this article? Because I love this Country.
Go into most churches and they’ll tell you that the apocalypse hasn’t begun, apparently it can only start when their theories gel. So it’s business as usual, apart from a few service interruptions, no singing, social distancing, no hugging, no communion and masks, all is well. They’ll even add a little curt remark ‘those conspiracy theorists’.
In regard to the, 2018 Red Moon (on each of Gods biblical feast days) They say “conspiracy theory!” However in Revelation regarding the last days on Earth, it states:
The full moon became like blood
I saw the moon that night, it looked like a big red stop sign , as if to say, stop what you are doing. A year before the chaos of lock-downs. He was asking us to return to Him so He could defend us. But few stopped.
Next is ‘THE MARK OF THE BEAST’.
‘Small or great, rich or small, free or slave to get the mark of the beast, to be marked on the right hand or the forehead, so that no-one could buy or sell unless they had the mark of the beast.
In relation to Revelations revelation, that citizens can’t buy or sell unless they ‘take the mark’.. the Churches said it has nothing to do with our citizens, that can’t buy or sell for not getting the mark, because it wasn’t on their hand or forehead.
However the population that wasn’t marked literally; couldn’t buy or sell in Victoria. It literally happened, I ask the church……
“If not now; when?!!”
The hand means power and forehead means slave.
Next is the ‘TRUMPET WARNINGS’.
THE SEVEN ANGELS WHO HAVE SEVEN TRUMPETS PREPARED TO SOUND THEM
In regard to the ‘trumpet warnings’ . This is the bugle period, when the alarm is sounded to call to arms. Citizens should prepare to fight the spiritual fight. How do you fight a spiritual fight? Repent and return to GOD.
Seven Angels with Seven plagues
Despite all the pestilence of variants; the Churches say;
“This is not the vials or pestilence period !”
Even though disease concoctions are cooked up in laboratories, in vials and distributed in vials. Yet they say we are not in the vial period.
God is trying to warn us of what Satan is up to. The entity that steals, kills and destroys!
The Church says;
“Trust the science”
As the TV (image of beast) instructed. Unfortunately even the elect are deceived!
The Church may let you down; but the bible and the Holy spirit won’t let you or your family down.
God promised to heal those that were injured by the mark.
He wants to heal, it’s His nature..
…and they cursed the name of God who had power over these plagues. They did not repent and give him glory.
CHRIST reprimands the church……………………..
In this article, the focus is on the 7 churches of the Book of Revelation. The remaining denominations of this time that are suppose to guide us through these trials. Obviously the Church is a beaten down wreck. Go into any local church and many will walk out none the wiser, however the darker this world becomes, those that have oil in their lamps will shine and the others will fade away.
Each Church denomination has an angel to oversee it, they are to give account of the Church’s progress. Yeshua (Jesus) passes judgement onto the Church first, before the secular world are held into account. Each church is to face its fate.
Who is the Church?
Is it the building? No!
Is it the CEO (Pope etc)? Partially!
It’s guidance is for those that sit precariously on the pew.
THE 7 CHURCHES
Ephesus (good works )
These people are hard workers, that put up with a lot. They don’t tolerate wicked people, they are patient and suffer for God. These efforts have been recognised, but Yeshua points out that they are unloving.
Jesus asks them to repent and love more.
If they don’t he will remove them.
If they do! Then they will have access to the TREE OF LIFE in Gods Paradise.
– – – – – – – – – – – –
2. Smyrna (the persecuted )
This church is poor and has many trials, people slander them, some will go to prison, some may die however, if they stay faithful to God; they will be given the Crown of Eternal Life.
— – – – – – – – – – –
3. Pergamum (bad neighbourhood )
This Church is in Satans homeland, the Government is evil, however they remain faithful and don’t submit, even when members die. Their problem is that they are lax in eating food sacrificed to idols and sexual standards.
If they don’t repent, they will get a severe lashingfrom Yeshua
Those that understand and correct themselves will never go without food and their name will be written in stone, permanently before God.
— – – – – – – – – –
4. Thyatira (deceptive leader)
This Church is charitable, they are faithful and devoted however they are misled by an promiscious false prophetess that encourages them to eat food sacrificed to idols. Some of her teaching is satanic.
If the followers keep working for Yeshua and ignore her, they will become Rulers of Earth’s new morning.
— – – – – – – – – – –
5. Sardis (arrogant)
This church has a reputation of being ‘full of life’ , but it’s dead. There isn’t much going for this Church, other than starting off with some zeal. If they continue this way, they will miss the timing of the 2nd coming.
There are a few that might make it, and they won’t be blotted out of the BOOK OF LIFE.
— – – – – – – – – – –
6. Philadelphia (raptured)
This Church has deep foundations in the Old and New Covenants. Heavens Gates are open for them. They are not very strong but they keep the Commandments and the Kingship of Jesus, they have endured trials.
When the Tribulation comes they will be spared. They will be honoured highly in the most Holy Temple of God.
— – – – – – – – – – –
7. Laodicea (compromising)
This is the luke-warm Church, half worldly and half religious. They consider themselves wealthy and are satisfied.
Spiritually they are poor and wretched, naked and blind. They are about to be spat out.
Jesus is outside the Church, knocking, if someone realises and lets Him into their heart, He will renew his relationship with them and they may sit beside Him on His Throne. He rebukes those He loves.
This is His message to the Churches.
Christ is the only ARK that will save you as Satan is a raging lion, hungry for your soul. ( and your house, your children and your bank account)
(Revelation chapeter 2 & 3.)
Can’t find a Philedelphia Church amongst the Churches of Pergamum ? Start your own bible study – go grassroots.
The book of Daniel is a supporting document of Revelation. Daniel accurately predicted that the Temple Mount would not be available for Jewish sacrifice due to the Dome being built where the temple ought to be. The Dome states that ‘God has no son’ inscribed on it. This statement is an abomination to Christians who worship Christ.. Daniel predicted the actual period when the ‘last days before Judgement’ would be.
‘From the moment that the perpetual Sacrifice is abolished (70AD) andthe abomination erected‘ (685-691AD) Daniel 12:11
Calculates as (691AD ) 1290 (days=years) years remain for the end day time period which takes us to 1981, the beginning of the Tribulation set off by IRAN and IRAQ war. If the equation is calculated 70+691+1290 it takes us to 2051. Which ever way you look at it, it’s us!
Christ said there would be false prophets, he also said ‘Do not be deceived”. The angel sent to Daniel said
“the wicked will never understand; the learned will understand”
Be prepared, don’t be deceived by false doctrine that dulls you into some random future date, the day is at hand, right at the door. Yeshua said the last days will be like the days of Noah and Sodom. (similar behaviour & sudden change)
I will stand at my Watchpost, I will station myself on the Rampart.
‘Violence against women occurs across cultures and communities. It takes many forms, including physical, sexual, social, emotional, cultural, spiritual and financial abuse, and a wide range of controlling, coercive and intimidating behaviour. Regardless of the form it takes, it is understood to be most often used by men and its impact is to limit and control women’s independence.‘ White Ribbon
How did the need for women to enjoy the right of personal freedom and safety get so tangled up with a minority of women drawn into sexual exhibitionism. The word is INDUSTRY it’s essence is Corporate. Sex sells, so regardless of how many women and girls are beaten and raped, the magazines ramp up; serial rapists/murderers are the main themes of TV crime stories and pornography is the Porn Industry. The Slave trade is a thriving ‘industry’. To abuse women is profitable, to deprive them of property reduces their social standing and their ability to ward off poverty.
Few people are aware that Corporations have deemed themselves Persons, therefore enabling themselves the protections that were designed for the vulnerable. Sexism is a incorporated crime, fuelled by the media and ignored in the community.
A true story of an Australian Woman.
I left my husband due to Domestic violence, not the type that hit but rather a tyrannical power that undermined the safety of my son and myself. I left him with the property as I wanted a clean break.
With a small loan I built a modest house. No sooner had the garden been planted, a neighbourhood gang of men accumulated outside my fence in the dead of night and ripped my front fence down. From my bedroom window I watched the violent force they used.
Every night they came. Sometimes to steal and sometimes to destroy.
They did the rounds, targeting Single women of the neighbourhood. A woman knocked on my door after the police car pulled away one night and asked. "Is it happening to you also?"
A girls refuge in the area had burnt crucifixes on the front lawn.
I eventually gave up and rented in town, by this time, I had lost my house,suffered PTSD, fear of the outdoors, insomnia that lasted 4 years and migraines, but still had the task to raise my son. There was no time to recover, I had to work.
‘White Ribbon Australia understands that the range of types of violence and their impacts on women and girls occur on a continuum, so that behaviours such as sexist jokes are seen as resulting from the same culture that enables physical and sexual assault, and murder of women and girls.’
Recently I overheard a conversation of some couples enjoying the outdoors and a few drinks with their meal. A conversation between a couple went like this..
HER: " Don't get drunk"
HIM: "Shut up C_ _ T"
‘And what about teenagers and girls, who are growing up in a climate of corporate paedophilia and hyper-sexualisation? What is feminism going to do about this sordid mess.’ Due/Simic
Violence against women is not hidden, its in plain site. A brothel in St Kilda boasts of having ‘Women on tap’ on an ugly sign, displayed on one of the busiest roads in Melbourne. We need to consider the boundaries that we are tearing down in the name of progress.
Quotes from White Ribbon website
& The Great Feminist Denial. Monica Dux/Zora Simic Melb Uni Press 2008
They took all the treesPut 'em in a tree museumAnd they charged the peopleA dollar and a half just to see 'emDon't it always seem to goThat you don't know what you've gotTill it's goneThey paved paradiseAnd put up a parking lot
Surrealism was born during the lunch break between the wars, a century ago. What had become of the precious Earth, of life. Nothing made sense anymore. The bombing catastrophes of crushed homes and disfigured people. Normal life was a nightmare and people couldn’t talk openly anymore, so surrealism became a language also; a visual code.
In 2009 the NGV hosted the Dali exhibition ‘Liquid Desire’ and the most haunting and disturbing painting was Mountain Lake (1938). The painting captured the helplessness of what was coming.
The backstory was that the communications between Neville Chamberlain, the British prime minister; and Adolf Hitler were cut, leading into the horrific 2nd War. Dali’s works are full of crutches, just as Melbourne artist John Brack’s shop windows, are of artificial limbs, for the war veterans that came home.
The war broke out in 1914, but before the turn of the Century the Pre-Rapaelites were encouraging people to return to nature.
What will the artists say now. Apartments have become prison cells. The health concerns are genuine, but we need to think in our isolation, where Australia will be in the future. Not just for us, but for all of us. We are not media fodder, we are an educated and intelligent community.
Armies have fought for our freedom.
The world has not been that kind to its creative minds. They are different, and when they warn, nobody listens. Our country was de-regulated when our Government was looking into its pocket, instead of the future. Property was once just a home, not a card deck for speculators; but without industry what else can we offer. We have crushed the hope of young families having a home. What is the option?
The Agenda 21 folk have an idea, I don’t think its a very good one. De-populate and put people in high rise ‘Commission’ type of flats. I personally like fresh air and a step to sit on, in a yard, with a nice tree.
Local street artist Peter Drew is looking forward to a hug.
If a man wakes up after a public and violent death and then walks within the community and meets with friends, then death has no power over him. He must be the Messiah, the son of God. What does such a person say when he meets with others.
Yeshua said to them,”Peace be with you. As the Father has sent me, even so I am sending you.” And when he had said this, he breathed on them and said to them , “Receive the Holy Spirit. If you forgive the sins of anyone, they are forgiven, if you withhold forgiveness from anyone, it is withheld.”
About a week later his friends were fishing from a boat and Yeshua was on the shore, he called out to them;
“Children do you have any fish” No they answered.”Cast the net on the right side of the boat and you will find some”
When they landed the boat, they saw a charcoal fire in place, with fish laid on it and bread. Yeshua said “Bring some of the fish that you have just caught”..”Come and have some breakfast”
When he was on the Earth, he healed the sick, raised the dead, fed thousands, restored sight, stopped storms, walked on water, cast out demons and asked for nothing in return. He lived a modest life and rewarded kindness, yet he spoke with authority.
Through Yeshua we find a person who cares about the daily woes of his friends, and seeks to help them, when they are in need: despite being King of Kings and Lord of Lords.
Greater love has no one than this, that one should lay down his life for his friends.
The 1980s New York Art scene gave rise to emerging young talent, such as the artists Jean-Michel Basquiat and Keith Haring and introduced musicians Debra Harry (Blondie) and Madonna. Andy Warhol had created a niche that they were destined to populate. The concept of the artist as a brand and a superstar seduced the young and transported them from Graffiti Artists to Legends. The middle classes had left the town for a comfortable suburban life and the urban alleys and apartments became a playground for the creativily misunderstood. The video clip of Blondies ‘Rapture’ introduced the new players.
Basquiat’s work reveals a tapestry of lines that go into the development of the image whereas Haring’s art, is the stripped back result. The NGV exhibition is currently showcasing both artists under the banner of ‘Crossing Lines’. It’s a journey back into our recent past.
In the early 80’s, Basquiat was surviving without an income and sourced materials from his environment. He took doors and whatever boards he could from condemned properties, to be his canvas. The palette is made up of house paint and oil pastels, this makes the work more intimate as the artists circumstance is apparent. The roughly stretched canvas suggest an artist more interested in the work than the presentation.
Yellow Door 1985
Pork 1981 (door)
Both artists were acute to the prejudices hidden within the social fabric of the time. Haring and Basquiat were presented in the 1981 ‘Public Address’ exhibition hosted by Annina Nosei Gallery. The work ‘Irony of a Negro Policeman’ addressed the issues Basquiat struggled with; that police hurt Black Americans. The figure with anxious eyes and a clenched mouth highlights the inner turmoil. Using the word PAWN; he spells out his conviction.
Haring once said;
Basquiat 'wielded his brush as a weapon, struggling against exploitation, consumer society. repression, racism and genocide'
In Haring’s ‘Malcom X’ 1988; he visually records the activists death within a red noose, likening it to a trophy killing.
Malcom X 1988
Jean-Paul Basquiat rode in limousines because taxis wouldn’t stop for him. He lived the Art Star lifestyle within the dangerous backdrop of racial realities. Many of Basquaits works are untitled, allowing the imagery to speak volumes, like the artist. A man of few words, using Art, to describe his large emotions. He often used halo’s above his anatomic skulls as a reference to the deaths of martyrs.
Both Basquiat and Haring considered themselves ‘Radiant Children’ entitled and indulgent. They crossed the line in decadence that would ultimately lead to their early demise. Basquiat threw parties serving caviar and cocaine and at 27 died from an overdose. Haring lived an unrestrained party-life and eventually fell victim to Aids. They rose out of the tar of the City, like flowers in the cracked sidewalk and as the era faded away, the value of their work became currency.
During the recess of WW1 and WW2, could the German Jewish war veterans that fought for the German Army, have imagined that a new war was coming, that would destroy them, if it could. In those day’s Europe folded, now they follow the piper. These are new days.
In the second war, some unlikely alliances rose to survive; England, Russia, Australia, New Zealand and the Old Commonwealth; then the Americans came to fight. As these quarters rested, new wars brewed and we often wonder, who lit the match. The Asian wars, the African wars and the Middle East. Nation against nation. Weapons, Hired Guns and Slaves are a thriving enterprise and someone is making a profit.
Refugees; homeless, all full of anxiety, rock in the ocean and await angry shores for a smile, a wave and a welcome new home. Could it be you, will it be you?
How do you prepare for war? Who are our friends, who is a spy? If the bully fails, are we safer or worse off? Do our blind guides know where they are going?
Will the garden idols save us? Who are the hired hands fighting for? Don’t lose your head, stay calm; why should we care?
How do you prepare for war? Will your house survive? Where will you hide? What will you wear? Can you make a fire, or plant a garden when the fuel and food are gone. Who will you pray too, when the bombs fall? Ask a refugee and ask how they survived a war.
Australian Artist, Ben Quilty explores the depth of death, particularly murder, and the brutal assault of hastening it’s arrival. He is on tour through the desolate heartland of emptiness, an intrepid explorer, however climbing Everest is not his goal, his road leads into the deepest darkest terrains of the human experience.
“I am interested in humans”
Quilty was engaged as a War Artist for Afghanistan. The experience brought him face to face with Australians that are endlessly jeopardising their own mortality and live within a violence that has been raging for 18 years. Many have lost their lives and limbs, whist Post Traumatic Stress Disorder has gorged trenches, within the soldiers minds.
The Gallery visitor that has just had a glass of wine over lunch is taken into a war torn Earth, of shores littered with abandoned life-jackets from a fleeing population, naked soldiers shivering with PTSD and picnic spots that robbed Aboriginals of their life, dignity and history.
The crisis of war washes up on the Grecian shores, as refugees flee their homeland to find safety abroad. The refugees have left all of their belongings and donned lifejackets to cross, freezing sea’s in the black of the night. The reality of the Syrian crisis has not infiltrated the ‘connected world’ and the lack of response, drew the artist in. He intends to make the public aware of the trauma these young children are experiencing, by publishing a book of artwork by young Syrian victims.
“My work is about how to live in this world”
In his homeland, Quigley explores landscapes of the Australian Genocide against its Aboriginal population. In his Rorschach landscapes of Fairy Bower and Amata, the artist documents a howling dark presence in place of a tribal home where children would have ran happily through the trees and bathed in the waterfall and its streams.
Quilty explores humans wrecking havoc on other humans, because they can, or are obliged to, within the social framework of the current systems. Environment’s may appear inviting and innocent but Quigley examines that which is lurking beneath. There is an anger in Quiltys work, he is hurting and you must too.
Quilty is a proficient landscape and figurative artist that can morph into a nightmarish surrealism. Quilty is battling a demon much larger and more connected than he. He wants justice, the paintings are the evidence and the gallery space is the court room. Quilty has managed to captured the attention of the art public with his profound statements in thickly plastered paint.
Like Van Gogh, he uses sculptural paint and his tortured metamorphosis are in keeping with Brett Whitely and Francis Bacon.
Quilty’s has witnessed war and it has taken its toll on him, as an artist and a human he has walked amongst the disenfranchised and documents their experience. Where journalists have dropped off , the social issues, like leaves, Quilty has become Australias fourth estate, placing the news, no longer in the paper, but on the walls. Quilty challenges us to look into our own backyard.
With the St Kilda Festival scheduled on a Sunny Sunday, I set off in the opposite direction of the beach and into town to the Art Gallery, hoping that the festival would draw crowds away from the Escher exhibition. What I wasn’t expecting was a Metro meltdown.
No buses, no trains and no trams! The 246 bus decided to by-pass my area, in an effort to avoid picking up or dropping people off to the bayside shuffle. The trains were off, due to track work and the trams had a ‘disruption’. The lone carrier was the notorious ‘Replacement Bus’ that answers to no schedule.
Boarding the bus required tactful manoeuvring as the commuters jostled for a seat and standing room, the less skilful were left behind. Just as the ‘Replacement Bus’ has no timetable it also has no set route and maundered it’s way through the inner suburban neighbourhood, like a scenic tour.
I passed places where I used to live and Cafes I once frequented and what began as a commute had become a journey, instead of taking 45 minutes to reach my destination, I arrived at the Gallery, after 2 hours. The girl at the ticket desk, attempted to talk me out of buying a ticket, as only an hour of viewing remained. My restraint was thinning.
Despite being rushed through the exhibition by enthusiastic guards saying;
“30 minutes to go and 6 more rooms!”
“20 minutes to go and 4 more rooms!”
“10 minutes to go and 2 more rooms!!”
The one prediction in my favour was that it was not crowded.
The exhibition soothed my fatigue and quickened the light of inspiration that thrives beneath the surface of mediocacy. Escher is a Master printmaker, designer, artist and architect; it is of no surprise that his father was an engineer. The exhibition weaves through the development of his style and skill, which is illustrated within landscapes and town streets, that journal his travels through Europe
The exhibition combines the Art Star with the works Nendo that compliment the show, with ambient structures and light shows. Like an Escher’s design; the art patron is led through props and floor space that dupes the eye and challenges those that are prone to vertigo. The layout of the show combines the physical and visual journey, it incorporates the optical illusion within the simple building blocks of drama. Beautiful work and a brilliantly curated.
Jerusha Mather is an enduring voice of equality for disabled students seeking access into courses that they are grossly underrepresented in. Her personal journey began in Sri Lanka, where at birth, the doctors told her parents that she would never walk or talk, later she was officially diagnosed with cerebral palsy. In Australia, she received strenuous and heavy therapy and began to see drastic improvements in her physical heath.
“I was able to walk and talk – although it was not perfect, it was something of a miracle to me.”
At school, she joined the advanced maths group and was invited to participate in a statewide maths tournament. She was a Kwong Lee Dow Scholar at Melbourne University and the first to become social justice captain in high school however during her VCE exams, she was not given appropriate support.
“I was not even offered a scribe which made things challenging for me”
Despite the odds, Mather was accepted into a Biomedical Science Degree at Victoria University, a step closer to fulfilling her plan to become a Doctor.
Gender equality that has enabled women to become medical professionals has given female patients access to female doctors that share similar anatomy and conditions. For disabled patients, the opportunity to benefit from a truly empathetic doctor in a similar situation is highly unlikely.
“I believe it is because of, and not in spite, of my disability that I will make an excellent candidate to become a doctor. I have a sense of empathy unmatched by my colleagues, understanding of life with a chronic health condition and remarkable patience.”
As a patient, Mather has experienced the spectrum of health care professionals, the good and bad. She is motivated to be part of a generation of doctors where communication and compassion are paramount tools. Mather drew inspiration from the recognised and notable work of Dr Janice Brunstrom; a paediatric neurologist in the USA who has cerebral palsy.
“My career aspirations are also in neurology, though her dedication to her profession, continuous development, and desire to utilise her disability to her advantage have been a true motivational force for me.” Mather
Disability effects a high proportion of the community yet most have been denied pathways to medical training due to both direct and indirect discrimination by educational authorities. In some instances, disability discrimination is overt and direct; in others, it is founded on lack of knowledge of disability issues and inclusion practices. By law, educational facilities are to make ‘Reasonable Adjustments’ for their disabled students however the definition is vague and broad.
Curriculum adaptation needed; curriculum limited; or curriculum needs not addressed. Components of courses or post-qualification employment not accessible HumanRights.gov.au
Not enough has been done regarding curriculum needs and adaptation for people with disability. Academic courses for general qualifications contain areas that such a student with cannot complete or access. This creates difficulties with enrolment (advice and information issues), with granting qualifications or accreditation, and with post-qualification work or profession.
“There are still quite a few internal barriers for someone like me who wants to become a doctor. One of the major barriers is passing the GAMSAT. Now Section 2 is quite straight forward because I can type that section. Nonetheless, section 1 and 3 requires a fair bit of handwriting which is extremely difficult for me to complete. I think there is an unrealistic expectation for people with a physical disability to do it all in their head, which is merely impossible given the nature and complexity of such a test. I do not think that this is the only concern here, every student must undertake an interview, in which I fear the possibility of discrimination.”
Due to ACER, being an independent organization, students with disability do not get appropriate funded disability support to help them prepare for the required tests. Students with disability require a levelled playing field, where all get the same chance.
“Although the university was very supportive, we did find it difficult, however, to source appropriate academic support staff. Thus, some of my academic support workers came late to class. Some of them did not write quality notes. Some did not facilitate my independence. Some did not understand what was required of them. Admittedly, it was a bit disappointing to see.
One of the most hurtful experiences I have ever had was when a doctor (with a disability) suggested I should be a ‘grocer’. He was the last person I expected to hear it from. I also had a lot of online trolls saying negative things about me. I was bullied a lot by past mentors and GAMSAT tutors.”
Mather believes that there are various specialties that a person with a disability can display excellent competence in and demonstrate safe clinical practices such as pathology, radiology, rehab medicine and general practice.
“I am completing my honors in biomedical sciences at RMIT University this year and am hoping to do further research, but I hope that one day, I will be serving you as a doctor.”
Please sign my petition here to produce an alternative pathway for prospective medical students with disability:
Involved with others in an activity that is unlawful or morally wrong.'the careers of those complicit in the cover up were blighted'
Complicit, a documentary by Heather White and Lynne Zhang, has completed a 2 year journey around the globe. Opening night began in London on March 11 2017 and it screened at the Melbourne Documentary Film Festival on July 14 that year; since then, it has completed its epic run at the Friday Harbor Film Festival, Washington this month. It took 3 years to make and has earned 16 prestiges awards. The story is told by the victims.
‘We heard about a young man suffering from occupational leukemia who had decided to assist others also suffering from occupational diseases. We first met Yi Yeting—COMPLICIT’S main protagonist—when he invited us to join him on a visit to Ming Kunpeng, a 26 year-old former worker with late-stage occupational leukemia.
Kunpeng had developed cancer linked to a cleaning solvent containing benzene, a known carcinogen. He entered the factory when he was 19 years old and—by age 22—was diagnosed with leukemia. During our many interviews with electronics workers as well as those from other industries, we discovered that the incubation period for occupational leukemia in China’s electronics factories typically occurred after 2-3 years of exposure in the workplace.
For 18 months, Kunpeng’s family had unsuccessfully tried to get his medical expenses paid for by his employer, Dutch semiconductor manufacturer—one of Holland’s largest producers of components and semiconductor equipment for the electronics industry. The family and the company were at a stalemate when we arrived in 2013.
Yi was helping Kunpeng’s family petition for an acceptable settlement . They weren’t able to pay for chemo or surgeries without the company’s support, which eventually they received. Ultimately, Yi’s help led to a much higher settlement agreement (US $100,000) than the industry average. However, early treatment is critical, and doctors said Kunpeng had no chance of survival. Not wanting to be a burden on his family he committed suicide in 2015.’ H.White
Kunpeng is only one of the young men and women whose life is cut down. The gadget they were making will be upgraded for newer version in the same time that they receive their diagnoses. One persons smart purchase is another death sentence, how can this quandary be understood within a moral and economical context.
Is moral responsibility a luxury we can’t afford
In a world rich in technology have we become so poor in Spirit that we are scrimping to find time for each other, are we slaves to money and has money made us so poor that we can’t see the suffering anymore, or even care. What does it matter if we can park a car in front of a big house if the water and air is toxic. Chinas problems today are our problems tomorrow, it is the investing countries that have set the standard that our children will inherit.
‘Because you say, ‘I’m rich; I have become wealthy and need nothing,’ and you don’t know that you are wretched, pitiful, poor, blind, and naked,I advise you to buy from Me gold refined in the fire so that you may be rich, white clothes so that you may be dressed and your shameful nakedness not be exposed, and ointment to spread on your eyes so that you may see’Revelation 3
How can someone believe they are wealthy, when they can’t afford morality; to think they are free when money has bound them to silence.
‘COMPLICIT was filmed in several provinces in China— something we cannot imagine trying to do under today’s Chinese government crackdown on civil society. We also filmed in the U.S. and Netherlands. I decided the public interest would be better served by a film which powerfully conveyed all that we discovered, and put the book on hold to make a feature length documentary.
I hope that after watching COMPLICIT viewers will feel a sense of increased connection to the workers that make the devices we as consumers can’t live without, and understand the risks associated with chemicals used during their production.’ H White
As I complete this article and read todays news, the headline reads:
‘Teenage girl left with a screw lodged in her cheek after blow dart attack …narrowly avoided losing her eye.’ 9News
We have lowered our standards for economic wealth and our social environment is in tatters. It’s never to late to turn back and amend our wrongs. We have to boycott companies and banks that don’t merit our business.
*Grand Jury Prize, Best Documentary Paris Alliance Cine – Human Rights Film Festival; Best Documentary Life After Oil, Sardinia, Italy;Best Documentary Workers Unite Film Festival NYC * “DOXA” Documentary Film Festival Finalist, Best Female – Directed/ *”Best Social Media Award”
Raw Science Film Festival/ * International Labor Film Festival Sao Paolo Brazil, Luis Espinal Prize/ award* semi-finalist: Hollywood International Independent Documentary Film Festival
Human Rights Watch Film Festival – London, New York, TIFF/ Toronto, San Diego, Amsterdam / Geneva Switzerland Human Rights Film Festival / Melbourne Australia Documentary Film Festival//Solidarity Tel Aviv Human Rights Film Festival/ ACT Human Rights Film Festival, Colorado/ Sedona International Film Festival/ Belgian Millennial Film Festival/ Addis International Film Festival, Ethiopia/ New York Workers Unite Film Festival /
SF-DOCFest San Francisco / Human Rights Nights, Bologna, Italy/ DocuDays – Documentary Film Festival, Kiev/Friday Harbor Film Festival/Galway Film Fleadh, Galway and Belfast Cinemagic – Ireland
“We played your song to John Lee Hooker, and he liked it”Matt Taylor remembers being told.
Chain performing in Melbourne at the Sidney Myer Music Bowl in the 80’s
In 1971 Sunbury, tried to deliver a concert like Woodstock, but apart from being an outdoor concert, the two had little in common and most sources will confer that theirs was a ‘Love-in’ and ours was a ‘Drink-on’; yet for $1 you could enjoy Chain and Phil Manning blowing the breeze with cool blues and sweet guitar. Decades later they are together in Chain, playing in St Kilda at MEMO, just doing their stuff…living music.
Chain is like a Classic Harley Davidson, it doesn’t grow old but rather more impressive. I don’t doubt that the crowd on Friday night were just as alive to the music as they could ever have been. The artists ability hadn’t dimmed nor had their creativity faded, they were effortless, clean sound welded together with musical precision . They are not an old band regurgitating one hit wonders, this is a band of genuine artists perfecting their craft.
There was a mixed crowd of those that grew up with the music and younger folk that were new to it.
“It’s not an age thing man, you love them for their music and like them because they are good at their music”Josh (20something)
Matt Taylors relaxed and inviting stage presence between songs gave the night an unexpected charm. The session closed with ‘I remember when I was young’ and it set the crowd alight.
“Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage, and then is heard no more. It is a tale told by an idiot, full of sound and fury, Signifying nothing.” Shakespeare
Stuart will be remembered for his positive nature, impetuous sense of humour and TV performances on Hamish & Andy’s True Story, Edge of the Bush and Fancy Boy.
Those we love don’t go away, they walk beside us every day.
A quirky show with a theme usually reserved for discomforting, yet reverent times.
Pastor John, greeted the audience or should I say ‘funeral guests’ at the door with a limp handshake and a quiet “welcome”. A tone he kept for the entire show and which created a sense of normalcy and calm amid the din of the often hectic and meandering monologues.
Stuart Daulman, the shows other actor and titular character, played many close friends and family members who had come to give speeches and send off their loved one. His Soccer Coach ‘Steve Butland’, his Comedy Pal ‘Justin “The Dust Bin” Murray’, his younger Brother ‘Capt Euan James Daulman’, his South African Grandmother ‘Granny James’ and finally the young altar boy ‘Bradley’. Each character had some moments of humour yet none really hit the mark consistently. Stuart has a calmness which is best delivered in his descriptive facial features.
‘Pastor John’ X filled the costume changes between these characters with calming words and gentle backhanded comments. A very enjoyable link from one vignette to the next. There was even some very clumsy sight gags and a beautiful ‘bit’ where a fish, ‘Mr Fish’ gave a speech which went in circles as one would with such a short memory.
Over all….a fun event with some very promising features.
Directed by comedy legend Bob Franklin, the show highlights the comic faces of an up and coming comedian, while paying respect to his own life and untimely death.
“I wrote the show when I was dealing with some pretty serious issues. It was cathartic in a way – writing a show so specifically about grief,” says Daulman.