Tag Archives: Fringe Festival

Road trip

With International travel becoming compromised by health and safety travesties, it’s time for a road trip. The last days of Summer, Adelaide Fringe, is an ideal destination. If you have time, take the scenic ocean route, otherwise head inland via the flat farmlands, it may be a rather dull journey but there are a couple of gems on the way, including the regional Art Galleries, a pink lake and a puppet shop. 

Ballarat

Ballarat’s Art  Gallery hosts 11,000 works exploring themes such as Country, Place, Home & Disruption.

IMG_0934
Top: ‘A Love Story’ by Emanuel Phillips Fox 1903 & ‘A Football Game’ Russell Drysdale 1945
Bendigo

IMG_0935

Established Australian Artist, a Gunditjmara /Yorta man, Josh Muir explores the inner navigation of being an original people within a post Colonial culture. He is an insider and a spectator from both perspectives that would create a quandary, unique to the artists role. It also allows him to quantify insightful concepts.

Salt Lake

The naturally pink lake is a stella stop on the way and a great place for a walk and picnic. The calm rose lake and it’s white shores create a  surreal environment and a nice place to unwind and contemplate.

IMG_8001

Puppet shop

Expect the unexpected. After a series of townships that offer the traveller mere basics; bad coffee, fried food and petrol we stumble across the Kaniva Puppet shop! Creative entrepreneurs, find niches and see beyond limitations. The shop and its mini theatre has enhanced the local schools creative agenda.

Fringe Festival

Arriving at ‘The Garden of Unearthly Delights’, in Adelaide for the final week of Fringe Festival.

Comedy in the gardens

The village of semi permanent structures creates a small comic world where audience and actor share the space. Reminiscent of pre-industrial fairs with contemporary flair the buildings are as fascinating as the shows. Cafe/Bars populate under the trees as we sit with a glass of wine and enjoy the last days of summer.

COVID-19’s sinister destruction awaits, like a show in the wings; ending such festivals for a time and half a time.

IMG_6403

Death=Comedy

The Death of Daulman
“Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage, and then is heard no more. It is a tale told by an idiot, full of sound and fury, Signifying nothing.” Shakespeare

FRINGE FESTIVAL

Stuart will be remembered for his positive nature, impetuous sense of humour and TV performances on Hamish & Andy’s True Story, Edge of the Bush and Fancy Boy.

Those we love don’t go away, they walk beside us every day.

A quirky show with a theme usually reserved for discomforting, yet reverent times.

IMG_5658

Pastor John, greeted the audience or should I say ‘funeral guests’ at the door with a limp handshake and a quiet “welcome”. A tone he kept for the entire show and which created a sense of normalcy and calm amid the din of the often hectic and meandering monologues.

Stuart Daulman, the shows other actor and titular character, played many close friends and family members who had come to give speeches and send off their loved one. His Soccer Coach ‘Steve Butland’, his Comedy Pal ‘Justin “The Dust Bin” Murray’, his younger Brother ‘Capt Euan James Daulman’, his South African Grandmother ‘Granny James’ and finally the young altar boy ‘Bradley’. Each character had some moments of humour yet none really hit the mark consistently. Stuart has a calmness which is best delivered in his descriptive facial features.
‘Pastor John’ X filled the costume changes between these characters with calming words and gentle backhanded comments. A very enjoyable link from one vignette to the next. There was even some very clumsy sight gags and a beautiful ‘bit’ where a fish, ‘Mr Fish’ gave a speech which went in circles as one would with such a short memory.

Image-1
BEFORE

Over all….a fun event with some very promising features.

Directed by comedy legend Bob Franklin, the show highlights the comic faces of an up and coming comedian, while paying respect to his own life and untimely death.

“I wrote the show when I was dealing with some pretty serious issues. It was cathartic in a way – writing a show so specifically about grief,” says Daulman.

Review by S. Pincombe