Tag Archives: performance

Against the odds

How hard is hard? What is our mortal capacity?

Artist, Mel O’Callaghan explores these questions through her dramatic Video Art currently on display at NGV Australia. Resistance and endurance is a rite of passage each of us will pass through eventually, a relative condition at every age.

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Ensemble within the NGV space is cinematic, with life-size actors in a war-like water-battle. O’Callaghan uses the violence of the force to explore existence. It is when we let go  , that life spirals and the body is swept away.

‘What a single body is capable of when enduring a voluntarily experience of duress is a powerful thing to behold’  Callaghan

Australian O’Callaghan lives in Paris and gave a live performance at the Serralves, taking it out of the dark theatre space and into the light of day.

O’Callaghan considers the body as a vehicle of ‘imposed labour’. The resistance of a ballet dancer perhaps or an underpaid worker forcing him/herself out of bed? Consider the Soldier preparing for death, or worse. Each day we battle, not to win, just to remain standing.

‘To fall, to begin again which is where the virtuous aspect comes into violence. It’s not being purely negative but rather a creative force’ O’Callaghan

Her work also relates to the Political and Economic climax point that is coming into focus.

…. those mounting feelings of deep despair that force acts of extremism’

Now showing within the perfect space, the deconstructive architectural venue at Fed. Square.

 

A.Forward

 

 

based on interview with Louise Paramor NGV

The play that created a storm

‘It’s foul weather in us all, good soul’

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Melbourne Sky

Ironically, it is a storm that opens the tale of The Tempest, but here on the banks of the Maribyrnong River it is a brewing storm that ends it. Melbourne’s fickle weather has once again cast its cold spell on an outdoor event. It has ‘undid’, subverted and prevented the ambition of this ‘goodly’ play. The stunning performance that was on Friday and Saturday was ‘naught’ on Sunday.

What could have been is; Prospero, performed by Brendon Ewing, dark with revenge and drawing his past into the currents of his macabre island home, seeking familiar company with unkindly aims, that give way to kindness sway. This tale untold, due to weather, it had to fold, so the cast did the next best thing, they sang.

 

Sly Rat Theatre Co.’s artistic directors Alan Chambers and Andy Harmsen have created a unique vision for The Tempest, inspired by science-fiction classics. The Pipework’s Natural Museum is a beautiful outdoor space, rich in atmosphere and a perfect setting for a summer picnic, weather permitting.

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“It’s a Rock and Roll version of Shakespeare, it’s very loud and very big” Director Andy Harmsen

Within the warm hub of the group, a buzz with laughter, singing and the smell of burnt sausage, it is easy to forget that the cancellation of a show could be disappointing, they are taking it so well. It’s a chance to catch up with some of the actors and chat about their role’s, the few that aren’t belting out a tune.

First up is Todd Levi

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“We like to push the boundaries but still tell a great story.. it’s Shakespeare, how he would like it done today…Its bawdy, its real and it is entertainment first and foremost. Prospero has been marooned on a magical island, betrayed by his sister and he’s been there for 12 years. He spies the evildoers sailing by and raises a tempest, a storm that shipwrecks them on the island where he prepares to take his revenge. It’s the search for redemption the final words of the play are; ‘As you from crimes would pardon’d be, let you indulgence set me free’

What made you choose this venue? MP

 “It’s a magical place, it’s a place where the community comes and we played here last year to over 2000 people … most of them had not seen live theatre before, let alone Shakespeare, and playing to an audience like that and seeing them fall in love with it”

Did you factor in the weather? MP

“You don’t expect to have nine shows of good weather every-time, hopefully this is our one and only cancellation.”

Next up is Tara Hauton 

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“Steph and I play the clowns, technically it’s the Court Jester but Andy and Alan have re-invented it to be two women who have been to the races all day long and have arrived at the play. We exist outside the world of the play and that’s where the comedy of the role happens…we are very drunk.

and Ty Holdsworth

 

It’s a play about weather, most Melbournians can relate to that.

 

 

Pipework’s Natural Museum Park on the banks of the Maribrynong River

 

 

by April Forward

 

 

 

 

 

 

 

 

Coppelia in St Kilda

Coppelia may be as ‘pretty as a picture’ but she has no soul, to live she will need to suck the life out of Franz. Swanilda is his true love, but her passion startles the young man who would prefer his ideal. Fortunately she is persistent.

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It’s a dance off. Swanilda can out dance her peers and Franz is more talented than his, it’s a ‘match made in Heaven’ but fate has a turn. Before the two amazing movers are joined, (which could lead to a standing ovation) evil raises his ugly head in the guise of a mad magician.

It’s a three-part play, with a haunting centre. Some toys can be very intimidating, some boys can be very threatening and some girls can be very curious. It makes great drama, within a comic text. It was the ballet that saved itself.

‘ the plot reads like a modern horror movie, Saint-Leon’s production was a clever commentary on the dangers of infatuation. When the ballet finally opened in Paris in May 1870 it seemed. with its freshness and vitality, as if the art had been reborn in France.Judith Steeh

It was the ballet revival that kept the flame alight in Europe, until the Ballet Russes set it ablaze. Essentially it was designed to excel the ballerina for the delight of its male patrons (like Degas) but was modernised by Ogilvie. The male parts that were performed by ballerinas, were handed over to men and choreographed into the leaps and athleticism, that it is today. It is beautiful ballet with amazing dancing.

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Dimity Azoury as Swanilda & Jarryd Madden as Franz at Saturday Matinee

‘We are delighted to bring back this production, which has long been considered a jewel of The Australian Ballet’s repertoire,’ David McAllister ,Artistic Director

The Palais adds ambience of this period piece, it was first performed on its stage in 1962. The charm of another era resonates through the Saturday matinée, the wood paneling, marble columns, leather seats and ‘cash only’ bars and kiosks. It’s beautiful to walk out its doors and believe the world has not changed on the St Kilda Esplanade.

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Take the journey into enchantment.

 

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Sept 23- Oct 1