Tag Archives: Lynda Buckley

A Suspicious Mind

Class Act theatre updates an ancient play, The Winters Tale, by dressing the actors within a modern context. The audience are informed of the rank and occupation of the players through chiffon gowns,well cut suits and the Louis Vuitton luggage of the privileged class. The Mariner and shepherds are more roughly attired.

Katherine Innes role as Hermoine morphs her lines into this century with an Aussie twang and everyday gestures, which translates the material with natural ease. The strong cast dig into the tragedy, of a leader who has fallen victim to his own mind. The repercussions of his suspicions, spiels  the leading class into the task of damage control.It takes fate to heal the wounds and bring back order.

MP spoke to The Designer, Jaz Wickson and The Director , Stephen Lee before the show.

Jaz Wickson     

Jaz Wickson Designer

“The show has wonderful feminist undertones. The three main women are Paulina (Angelique Malcom) the wise woman; Hermione (Katharinne Innes) who is the mother figure and goes through a terrible time,losing her daughter, her son,and then her own life; and there is Perdita (Ivy Latimer). There are many men but the women are stars.”

“With this production we’ve tried to keep it timeless. Think fairytale today, an Australian Fairytale. We have a very Australian Bohemia when we go there, with all of the accents.Design wise,its very ‘man from snowy river’ and the Court are dressed like they’re at a wedding, as this doesn’t change much.

With the set; Northcote Town Hall is an interesting space, its not a black box theatre, it has a hardwood floor so we integrated it.  We used chiffon drapes, that the actors walk in and out of, we’re not hiding the space but rather enhancing it.For the centre piece, it’s a tree, with changes of season.”

How did you get involved with the program? MP

“I’ve been a designer for a few years now, I work with Class Act theatre, they have just moved their base from Perth to Melbourne, I do the costumes and set.”

Is it a traditional Shakespeare script?

“Yes, Our Director Steven Lee has directed over 30 Shakespeare plays.”

Stephen Lee

Stephen Lee Director

“This is probably my 35th Shakespeare play”

Where does that passion come from? MP

“When I was 18, I saw my first Shakespeare play and I was so captivated, it was nothing like I had done at school.”

What play was that? MP

“That was King Lear, it was with Donald Sinden, an actor people don’t know anymore. It was such a magical experience and I was transported. That was 40 odd years ago. I’ve probably directed a couple of hundred productions.”

What’s the shape of theatre in Australia? MP

“Theatre around the world is thin, it’s been overtaken by so many other forms of entertainment. Cinema is still hanging in there but television, video and the internet ….”

Why should people go to theatre? MP

“All these other forms of entertainment may be fine, but there is no immediacy like a direct performance for you. …That night is performed just for you and it will never be the same on any other night.

It’s a special one-off thing just for that audience. It’s incredible, you’re  joining with the actors , sharing in a unique experience.”

Tell me about Winters Tale. MP

” It’s about two Kings and one King starts to suspect the other  of having an affair with his wife. It’s totally ungrounded as they have grown up together, since they were kids. Suddenly he believes he is being cheated on.

He tries to bring down the other King, that fails, then he tries to put his wife on trial for adultery… It gets blacker and blacker and blacker and in the second half, the time and place switches into a mood of redemption and reconciliation. It becomes funny, heart-warming and it has one of the most moving endings, of any Shakespeare play.”

How does this relate to modern times? MP

” We wear different clothes and talk slightly differently but we are still driven by the same things and ideas, feeling jealous or insecure, not trusting other people is the same now as it was four Centuries ago.”






Photography & review by A Forward

Metamorphosis with Eyes


Originally from a small town in South Australia, Joshua Fielding describes his art as a form of social connection.


Fielding is inspired by the surrealists and cites Salvador Dali as one of his major influences. His work is more stylised and controlled than the master, with balanced compositions that are evenly weighted within a psychedelic sway. The bright colours and symbolic shapes  are a response to the work of the Melbourne Graffiti Artist, Beastman.

There are three series on display, which include Dark Phoenix in his early figurative work, Metamorphosis with bold kaleidoscope images, and The Pupils that are playful surrealist pieces. Each has a resolute and confidant result.

“I love eyes and the emotion” Fielding


The figurative works are portraits of people he has met through performance art. Most are oils painted with limited black and white palettes and thick strokes. They are dark, moody and emotive, coming before his colourful acrylic’s.

The Metamorphosis series dominate the show and draw the viewer into the natural mechanics of the artist’s mind

“In this series each painting is influenced by a problem I had to solve, it was inspired by law of attraction, I couldn’t finish the painting until I solved the problem.” Fielding


The watchful eyes surround the viewer. As they observe the canvas they are being observed. The artist is within his work.The magnetism of the work and the artist draws in a large crowd for his opening night, at Voltaire in Nth Melbourne.

“It’s an Aztec, Egyptian, Modern eclectic feel. It’s very interesting its complex yet simplistic.” Steph (audience)

‘Trained at the South Australia Arts Academy, he refined his own visual and conceptual vocabulary that developed through his focus on the points of intersection between movement and abstract thought.’ Lynda Buckley (Encore)

Fielding is an accomplished dancer and is heavily involved in the performing arts scene. He has also designed and painted large murals and scenery for National Theatre productions. His ‘day job’ is as the Melbourne Football Clubs mascot.

Artist, dancer , Melb FC Mascot
Artist, dancer , Melb FC Mascot

“Physically and mentally I have to be creative every day or else I feel I’ve wasted my time being here” – Fielding.

Nida trained Scott Hollingsworth,(Performance Management) a Melbourne performance artist, spoke about the show and his part in its financial support through Shhh Productions. They got behind the artist and paid costs in the philosophy of supporting local talent.

“I met Josh through a mutual friend and saw his work and thought it was brilliant”Hollingsworth



Photography & Review: A Forward