A beautiful evening

MUSIC REVIEW

Josh, one of our new music reviewer’s arrived to a full house at the Tote in Collingwood on the weekend, for the launch of  Ferla’s  new album Guilt Pop / Stay Posi.

‘It was packed, nearly overflowing, an Indie rock sound, a bit electronic; in the genre of Sticky Fingers. The crowd was  ‘very alive’ and tuned in; mostly hipsters. ‘

Giuliano Ferla. hit the high notes easily whist being supported by a band that infused his mood, the synthesiser player engaged the audience with a complex construct of layered chords,  one on a keyboard and synth on the other. Ocean Party, and dewy garage Girlatones. were the supporting bands and Loose Tooth DJs spun the tunes for the night.

Ferla engaged with the audience and explained the development of the lyrics with personal insights.

 “Imagine your life as if you wanted nothing at all.”

It was a great evening, showcasing a talent that has arrived after a many performances, a terrific line-up and an evening that engaged the respect of the audience.

“There was a great vibe.” Josh

FullSizeRender-52

Audience Response:

“If its on spotify its definitely going in my collection.”

FERLA Wasted on you

FERLA GUILT POP/STAY POSI
DOUBLE EP

1. Breakups Are Hard For Everybody
2. I’m Nobody’s Baby Now
3. In The Night
4. You’re There
5. I Can’t Let You Down
6. Wasted On You
7. Children Are Our Future
8. Limited Time

Spotify | iTunes
Facebook| Instagram | Bandcamp

 4b329906-4e97-47d1-8db2-416a28d09d57 

2 Bob Weekend

On a mild Winter weekend, Melbourne’s Music elite came together to honour the songs of Bob Dylan before a full house at the Memo in St Kilda. Friday night was dedicated to acoustic Bob and on Saturday night, it was electric Bob.

The ‘All-Star’ back up band,  consisting of  Benny Franz, Stephen Hadley, Ben Wiesner , and Shane O’Mara , melted seamlessly into each other, but it was guitar legend O’Mara that stole the night with his stella performance. It was a group of musicians fit for the honoured legend himself.

Who is Bob Dylan? Songwriter, Poet or Prophet; Jew or Christian? His lyrics resonated with the crowd that held resolute with dignified appreciation of the words and the artists. Loud talkers were quickly hushed.

Come gather ’round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You’ll be drenched to the bone.
If your time to you
Is worth savin’
Then you better start swimmin’
Or you’ll sink like a stone
For the times they are a-changin’.
Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won’t come again
And don’t speak too soon
For the wheel’s still in spin
And there’s no tellin’ who
That it’s namin’.
For the loser now
Will be later to win
For the times they are a-changin’.
Come senators, congressmen
Please heed the call
Don’t stand in the doorway
Don’t block up the hall
For he that gets hurt
Will be he who has stalled
There’s a battle outside
And it is ragin’.
It’ll soon shake your windows
And rattle your walls
For the times they are a-changin’.
Come mothers and fathers
Throughout the land
And don’t criticize
What you can’t understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly agin’.
Please get out of the new one
If you can’t lend your hand
For the times they are a-changin’.
The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is
Rapidly fadin’.
And the first one now
Will later be last
For the times they are a-changin’.

Each vocalist made his songs their own and each captivated the audience. Liz Stringer was haunting, almost gothic as her lone figure shone in the darkness etching the words and reaching into the void. Song-bird Lisa Miller was mesmerizing and thrust the show forward,  her talent is palpable. Chris Wilson’s scratchy soul voice penetrated into the mind of the listener, like a dark cry and ‘Raised by Eagles’ duo Luke and Nick raised the tempo with a bit of  rockabilly. All of the vocalists on the night where exceptional.

A memorable evening.

Audience response.

“Shane O’Mara is a Melbourne music legend and of Liz Stringer, you need to get her last two albums.

Truth, what is truth?

REVIEW

George Orwell’s 1984 , adapted by Robert Icke & Duncan Macmillan, is currently playing at the Comedy Theatre.

‘You don’t have to be an expert to know that Newspeak is the only language in the world whose vocabulary gets smaller every year.”

Unwriting people, removing words, controlling thoughts was Orwell’s dismal view of the future. The play explores the tragic demise of the human spirit with brutal clarity.

FullSizeRender-40
Tom Conroy as Winston

Winston played by Tom Conroy, is man of fear that falls prey to the Party machinery by daring to hope. His Partner in crime, the fierce and splendid Julia (Ursula Mills) is a vision that bursts into his life to set it ablaze for a brief moment.

IMG_8809
O’Brien (Terrence Crawford) Winston (Tom Conroy) & Julia (Ursula Mills)

The wooden interiors and costumes seem reminiscent of the 50’s when the book was written, a generation looking through the keyhole of the condition of the world in 1984. There are no clumsy cream PC’s or the continuous screening of the Iran- Iraq war that dominated our tv’s, in the 80’s. In its essence, the rich nostalgic settings creates a longing for something personal and contrasts the horror of The Ministry of Love.

The acting,direction and effects are flawless. Fiona Press as Mrs Parsons is formidable, by merely stirring a caldron, she captivates a mood that seeps onto the stage.

The Lighting (Natasha Chivers), Sound (Tom Gibbons) and Video Designer (Tim Reid) are major players in the production and carry the full power and might of Big Brother. It’s a beautifully crafted masterpiece, the sets have amazing attention to detail and border on the sublime.

IMG_8808
Paul Blackwell , Terence Crawford & Tom Conroy

Audience response:

“Nothing is believable, everything is manipulated, it’s unfortunate for humanity”

Do you think the play has any relevance to you? MP

“Which agencies are believable and which aren’t , its awful and in the end all you have is your own soul and that’s ripped apart as well.”

So what did you think about the play?

“It’s done amazingly well , there is nothing held back”

Would you recommend it?

“Very much , I want the world to see it”.

Some audience members had to leave midway in the final act, it is confronting.

PHOTOGRAPHS BY S. REID